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re: a bank's wave 1 is not a filtered copy of wave 0 -- and my own discriminator cannot finish the job

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Coherence on BGM_103, the menu's bank, with controls run first: a real linear
filter of wave 0 reads 0.93-0.94 in every band, a different bank reads 0.001, and
wave 0 misaligned by 1 s reads 0.004-0.057. The measurement reads 0.027 at 1-4 kHz,
so the 'wave 1 is wave 0 filtered' model is refuted.

The frequency structure is inverted relative to any mic-pair or reverb model:
coherence rises with frequency (0.169 -> 0.827) while energy falls (71 % -> 0.2 %),
and a rear pair decorrelates fastest at HF. In the midrange the two waves are 13x
further apart than the two channels of one wave.

But the L-R control is what limits the tool and it is recorded as such: within one
wave, genuinely one performance in two channels, coherence is only 0.221-0.497. So
'same performance' does not imply high coherence here, my positive control was the
wrong model of the rear-pair reading, and the 🟡 is NOT settled. The tool tests for
linear filtering and neither surviving reading requires it.

Also corrects MISSION's Q10 row, which still carried the refuted three-sub-wave
premise and had directed work at a dead question for days. Its gate is in fact met.

Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01Wuu56cE8vJGTBtn1ppsk8v
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sylph-decoder
2026-08-30 20:17:23 +00:00
parent 95ceb70cb5
commit 4dd6a3f325
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33
docs/port/MISSION.md
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@@ -74,7 +74,7 @@ alongside it.
| **Q7** | **Transitions.** What happens visually between screens — the `pteff00.prm` quads, a fade, a cut — and its timing | Described and timed against a capture |
| **Q8** | **Menu audio.** Which BGM per screen; which cue on move / confirm / back / error. The cue table is complete; the event binding is not | Cue names bound to events, with how you established each |
| **Q9** | **Video binding.** Which movie is the boot intro vs the new-game intro; whether playback is skippable and what ends it | Named movies plus the playback rules |
| **Q10** | **What are a music bank's sub-waves?** `BGM_001.slb` is three sub-waves — 10 KB, 4.47 MB, 4.67 MB — and we currently **concatenate them blindly** into one 347 s track. Two near-equal halves could be intro + loop, or two variations, or two halves of one piece. A menu that loops its music needs to know which | The role of each sub-wave, established for at least the menu BGM. "Concatenate" is a decision, not a default — right now it is a default nobody chose |
| **Q10** | ~~**What are a music bank's sub-waves?**~~ ✅ **ANSWERED — see below.** Every factual premise in the original row is refuted: a bank is **two** waves, not three (the 10 KB was the bank *header*, emitted by our own reader), and the three candidate roles it listed — intro + loop, two variations, two halves — are all dead. | ✅ **Gate met.** Role established on the menu's own bank: [`bgm-two-stems.md`](../re/structures/bgm-two-stems.md). 🟡 One sub-question survives — *which kind* of second stem — and it is 🟡 by measurement, not by neglect |
| **S1** | ~~**Ready Room probe.**~~ **DONE 2026-08-28 — [no-go](../re/ready-room-probe.md).** It is 2D and enumerates fine, but the pak is briefing/tactical-map content, not the Ready Room menu | ✅ go/no-go written |
## ✅ Emulator-side questions are NOT blocked — corrected 2026-08-30
@@ -290,6 +290,37 @@ What needs a decision is which way the divergence gets closed:
Recorded rather than chosen, per "do not improvise around a blocker".
## ✅ Q10 is answered — corrected 2026-08-30
The Q10 row above was written on a premise that has since been **refuted in every
part**, and it survived as a live question for days after the refutation landed.
Recording the correction here rather than silently editing the row:
* ❌ *"`BGM_001.slb` is three sub-waves (10 KB, 4.47 MB, 4.67 MB)"* — the 10 KB is
the **bank header**. Our reader emitted it, from a modulus valid only for a
header shorter than one XMA packet. A bank is **two** waves, **28/28** disc-wide.
* ❌ *"we currently concatenate them blindly"* — and concatenating is **wrong**,
now measured: the two waves are **sample-synchronous** and the running game
decodes **both at once** (the XMA probe at the main menu saw two stereo streams
whose byte sizes are `BGM_103`'s two declared waves, exactly).
* ❌ *"could be intro + loop, or two variations, or two halves of one piece"* — all
three predict unequal durations; **32 banks give equal ones**.
* ✅ **The gate — "the role of each sub-wave, established for at least the menu
BGM" — is met**, and on the menu's own bank: `BGM_103`, named from the
executable, confirmed against the disc and against the running game.
🟡 **What is still open is narrower than the row**: *which kind* of second stem —
the rear pair of a 4-channel mix, or a second intensity layer. Both predict
simultaneity, so runtime observation cannot separate them, and a coherence
discriminator run 2026-08-30 **refuted the "filtered copy" model but could not
separate the two** — its own control showed that in this material even L vs R of
one performance reads only 0.22–0.50, so the test's premise does not hold.
[`../re/data/bgm-stem-coherence.txt`](../re/data/bgm-stem-coherence.txt)
⚠️ **This distinction does not block the port.** Both readings give the same
instruction: play both waves, aligned at sample 0, together. It changes only how
they would be *mixed* if the port ever does surround.
## Known unknowns — say so, do not fill them in
Some of these may turn out to be undecodable. That is a valid, useful answer, and

28
docs/re/REFUTED.md
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@@ -761,3 +761,31 @@ sweep phases — and the 350×396 logo ROI is **byte-identical across all of the
(0 / 138 600 px differing, max |d| 0), reproduced in two independent sessions**,
while 5–8 % of the whole frame moves as a contrast control. The sweep ink does
not land on the logos. The ±1–2 residual is not sweep.
### Music-bank stems (2026-08-30)
* ~~"wave 1 is wave 0 put through a filter"~~ — ❌ **refuted** on `BGM_103` by
magnitude-squared coherence. A real linear filter of wave 0 reads **0.93–0.94**
in every band (positive control); the measurement reads **0.027** at 1–4 kHz.
No linear filter does that in a band where both waves carry energy.
[data](data/bgm-stem-coherence.txt)
* ~~"the rear-pair reading can be tested by coherence"~~ — ❌ **refuted, and it was
my own test's premise.** The control that matters — L vs R *within* one wave,
genuinely one performance in two channels — reads only **0.221–0.497**, so in
this material "same performance" does not imply high coherence. A 4-channel
mix's rear pair is not a linear filter of its front pair, so the discriminator
never had the power to separate the two readings. The 🟡 stands.
### Refutation attempt on the corpus's "two stems of ONE PERFORMANCE" — 🟡 SURVIVED, WEAKENED (2026-08-30)
**Target:** `structures/bgm-two-stems.md` (the `BGM_103` section is another
agent's), which reads the two waves as two stems *of one performance*.
**My attempt:** if they are one performance, they should share signal structure;
coherence should be well above the independent floor across the bands carrying
the music.
**Result: the claim survives, but one of its supporting readings is dead and the
bands carrying 96 % of the energy read 0.169 and 0.184** — far above the 0.001
independent floor, so *not* independent, and far below a filtered copy. "One
performance" stands; "rear pair, i.e. a filtered view of the same mix" does not.

71
docs/re/data/bgm-stem-coherence.txt Normal file
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@@ -0,0 +1,71 @@
# Is a music bank's wave 1 the SAME instruments filtered, or DIFFERENT parts?
# BGM_103 (the menu's music) -- 2026-08-30
#
# structures/bgm-two-stems.md leaves two readings alive for wave 1: the rear
# pair of a 4-channel mix, or a second intensity layer -- and correctly notes
# that runtime simultaneity cannot separate them, because both predict it.
# This is a static attempt at a discriminator.
#
# METHOD: magnitude-squared coherence, Welch, NFFT 8192 @ 48 kHz, 60 s window
# (702 segments, so the bias floor is ~1/702 = 0.0014). Coherence is ~1 wherever
# one signal is a LINEAR FILTER of the other and ~0 for independent signals.
# tools/re-capture/bgm_stem_coherence.py
#
# WAVES: slb_extract_wave.py BGM_103.slb 14336 1893 2 48000 (wave 0)
# slb_extract_wave.py BGM_103.slb 3903488 1919 2 48000 (wave 1)
# then ffmpeg -i x.riff x.wav. Both decode to 87.744 s, 4 211 729 frames.
# CONTROL BANK: BGM_104.slb 14336 1305 (a different piece, same codec).
#
CONTROLS
POS w0 vs linear-filter(w0) 0-0.2k 0.929 0.2-1k 0.938 1-4k 0.936 4-12k 0.938 12-16k 0.938 16-24k 0.937
NEG w0 vs a different bank 0-0.2k 0.001 0.2-1k 0.001 1-4k 0.001 4-12k 0.001 12-16k 0.001 16-24k 0.002
NEG w0 vs w0 shifted 1 s 0-0.2k 0.057 0.2-1k 0.048 1-4k 0.007 4-12k 0.019 12-16k 0.015 16-24k 0.004
REF w0 L vs R (one perf.) 0-0.2k 0.321 0.2-1k 0.221 1-4k 0.363 4-12k 0.445 12-16k 0.497 16-24k 0.450
REF w1 L vs R (one perf.) 0-0.2k 0.078 0.2-1k 0.051 1-4k 0.089 4-12k 0.411 12-16k 0.453 16-24k 0.455
MEASUREMENT
w0 vs w1 0-0.2k 0.169 0.2-1k 0.184 1-4k 0.027 4-12k 0.635 12-16k 0.768 16-24k 0.827
ENERGY SHARE
w0 0-0.2k 71.4% 0.2-1k 24.8% 1-4k 2.4% 4-12k 1.0% 12-16k 0.1% 16-24k 0.2%
w1 0-0.2k 53.8% 0.2-1k 40.9% 1-4k 2.3% 4-12k 2.1% 12-16k 0.3% 16-24k 0.6%
# ------------------------------------------------------------------------------
# READING IT
#
# ✅ THE INSTRUMENT IS CALIBRATED. A real linear filter of w0 reads 0.93-0.94 in
# every band; a different bank reads 0.001-0.002; w0 against itself misaligned by
# 1 s reads 0.004-0.057. So the estimator detects filtering and is not fooled by
# two pieces of music in the same codec.
#
# ❌ REFUTED: "wave 1 is wave 0 put through a filter." The positive control says
# a filter reads 0.936 at 1-4 kHz. The measurement reads 0.027 there. No linear
# filter produces that in a band where both waves carry energy.
#
# 📌 THE FREQUENCY STRUCTURE IS INVERTED relative to any mic-pair or reverb
# model. Coherence RISES with frequency -- 0.169, 0.184, 0.027, 0.635, 0.768,
# 0.827 -- while energy FALLS -- 71.4 %, 24.8 %, 2.4 %, 1.0 %, 0.1 %, 0.2 %.
# A rear pair or a reverb return decorrelates FASTEST at high frequency, which
# is the opposite. What is coherent lives in bands holding ~1.3 % of the energy;
# the bands holding 96 % of it read 0.169 and 0.184.
#
# 📌 AND IN THE MUSICAL MIDRANGE THE TWO WAVES ARE FURTHER APART THAN THE TWO
# CHANNELS OF ONE WAVE: 1-4 kHz gives 0.027 between waves against 0.363 for w0's
# own L vs R -- a factor of 13. Two channels of one performance agree far more
# than the two waves do.
#
# 🔴 BUT THE L-R CONTROL IS ALSO WHAT LIMITS THIS TOOL, AND IT KILLS THE CLEAN
# ANSWER. L vs R within a single wave is genuinely "one performance, two
# channels", and it reads only 0.221-0.497 -- nowhere near the 0.94 a filter
# gives. So in THIS material "same performance" does not imply high coherence,
# which means my positive control was the wrong model of the rear-pair reading:
# a real 4-channel mix's rear pair is not a linear filter of its front pair.
#
# => The filter model is dead. The two named readings are NOT separated. This
# tool cannot separate them, and the reason is stated rather than discovered
# later: it tests for linear filtering, and neither reading requires it.
#
# ⚠️ REACH: one bank (BGM_103), one 60 s window, mono-summed for the coherence
# rows. Not run over the other 31 banks. The 16-24 kHz reading of 0.827 sits in
# 0.2-0.6 % of the energy and is unexplained -- it is NOT generic codec
# behaviour, since the different-bank control reads 0.002 in the same band.

41
docs/re/structures/bgm-two-stems.md
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@@ -92,6 +92,47 @@ twice, the second time as a bass-less secondary stem.
decorrelated between L and R, and with the bass managed away to the front pair.
* **A second intensity layer** to be mixed in or crossfaded.
### ❌ One of the two is now narrowed: wave 1 is NOT a filtered copy of wave 0
**measured 2026-08-30** — [`../data/bgm-stem-coherence.txt`](../data/bgm-stem-coherence.txt),
`tools/re-capture/bgm_stem_coherence.py`, on **`BGM_103`**, the menu's bank.
Magnitude-squared coherence is ~1 wherever one signal is a **linear filter** of
the other. Controlled first: a real filter of wave 0 reads **0.93–0.94** in every
band, a different bank reads **0.001**, and wave 0 against itself misaligned by
1 s reads **0.004–0.057**.
| band | w0 vs w1 | w0's own L vs R | energy in w0 |
|---|---|---|---|
| 0–200 Hz | 0.169 | 0.321 | 71.4 % |
| 200 Hz–1 kHz | 0.184 | 0.221 | 24.8 % |
| **1–4 kHz** | **0.027** | **0.363** | 2.4 % |
| 4–12 kHz | 0.635 | 0.445 | 1.0 % |
| 16–24 kHz | 0.827 | 0.450 | 0.2 % |
❌ **"Wave 1 is wave 0 filtered" is dead.** A filter reads 0.936 at 1–4 kHz; the
measurement reads **0.027**.
📌 **The frequency structure is inverted** relative to any mic-pair or reverb
model: coherence *rises* with frequency while energy *falls*. A rear pair or a
reverb return decorrelates fastest at HF. Whatever is coherent lives in bands
holding ~1.3 % of the energy; the bands holding 96 % of it read 0.169 and 0.184.
📌 **In the midrange the two waves are 13× further apart than the two channels of
one wave** — 0.027 against 0.363.
🔴 **But the same control kills the clean answer, so this does NOT settle the
🟡.** L vs R *within* one wave is genuinely one performance in two channels, and
it reads only **0.221–0.497** — nowhere near 0.94. So in this material "same
performance" does not imply high coherence, and my positive control was the wrong
model of the rear-pair reading: a real 4-channel mix's rear pair is not a linear
filter of its front pair. **The tool tests for linear filtering, and neither
surviving reading requires it.** Stated here rather than discovered later.
⚠️ Reach: one bank, one 60 s window, mono-summed. The 16–24 kHz reading of 0.827
is unexplained and is *not* generic codec behaviour — the different-bank control
reads 0.002 in that same band.
**Not settled, and the obvious field does not settle it.** `ChannelMask` is
`0x0002` on *both* waves, and [`sound-slb.md`](sound-slb.md) already records that
this game writes meaningless channel metadata (movie voices declare 2 channels