The three Static.slb cues and the menu bed now export to Ogg Vorbis and play.
`sylpheed_formats::media` does the assembly; nothing in port/ has heard of XMA.
Three things this milestone got wrong before it got right, all recorded in
docs/port/DECISIONS.md because the corrections are the useful part:
1. The cue offsets were a Rust `const` in the exporter. They are MEASURED, not
decoded -- a measured value compiled into the exporter is a measurement
wearing the costume of a decoded field, and nobody deletes it because nobody
can see it. They are authored/audio.json now.
2. I picked BGM_001 and wrote a careful `why` calling the choice arbitrary. The
menu's music is BGM_103, and it is in HANDOFF at 0fd8e69 -- the exact commit
BLOCKED.md says that row was reconciled against. Not stale: wrong when
written. I had summarised a negative without its reach, so "the TABLES cannot
say which BGM a screen plays" became "it is not on the disc". One word of
scope was the whole answer, and the export failed only because BGM_001
without its .slb extension hashes to nothing. That is luck, not design.
3. The comment above the BGM sum argued for unity gain "because halving is a mix
decision nobody made". It clipped at +1.8 dBFS. 1/n is the smallest constant
that provably cannot clip -- the same reasoning video.rs already carried for
its 5.1 downmix, in this repository, unread.
Unsettled and shipped as such: media::sound_bank_riffs returns THREE sub-waves
for BGM_103.slb where HANDOFF Q10's census says exactly two (the third is the
leading headerless region slb.rs emits for the voice path). The exporter sums all
three and writes a manifest warning, because which bytes belong together is the
decoders' question, not this exporter's -- and dropping one would destroy the
evidence, since a corrected export looks exactly like a correct one. Raised with
the Decoder; row in BLOCKED.md.
The gate is a null control, not a peak reading. A master-bus WAV that is
non-silent proves nothing -- the bed alone would look identical. So the same
scripted walk was run with <- in place of <v>, which fires no cue (Q5, measured),
and the difference is one 0.55 s burst at t=1.10 s and silence everywhere else.
The first attempt at that control returned bit-identical zero and I nearly filed
it as "cues never reach the bus": both runs ended at 1.115 s and the first press
lands at 1.17 s. A null result from an instrument that was not running is not a
null result.
Refutation attempt: HANDOFF Q8's three cue durations. They looked attackable --
0.133/0.172/0.169 s per packet, no shared rate -- but an XMA1 packet carries a
variable number of 512-sample frames, and the three come to 50.0/32.3/95.3
frames. Measured off the decoded Ogg: 0.533, 0.344, 1.016 s, every published
digit. SURVIVES, with its reach stated -- it confirms the assembly path and my
transcription, not the event bindings, which only an oracle can retake.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01WM5XL4HfrHuxz8RiMWdCMC
Merges the Godot port into the reverse-engineering repository, preserving both
histories -- 1019 commits of corpus plus the port's 31, brought in by subtree
merge and then moved into place so git can follow each file across the rename.
The reason is not tidiness. The two-repo split forced the exporter to depend on
the decoders by pinned revision, and that created a whole class of failure that
now disappears: a sha reachable only from a topic branch, orphaned by a
squash-merge, breaking a fresh checkout silently at build time. It also forced a
live read-only mount of one agent's working tree into another's container, which
is why a contract file could move mid-iteration. With a path dependency, a
decoder change and the exporter change it requires land in the same commit or
not at all.
Canary stays separate: it is a fork tracking upstream.
New structure for the long term:
docs/game/ how the game is NAVIGATED -- menus, modals, prompts, alerts,
and in-game flight. Written so nobody rediscovers it. Mostly
open questions on purpose; the in-game tutorials are the
resource for the flight half.
docs/port/MODDING.md
modding as a constraint on the exporter TODAY, not a later
feature: one logical asset in one file (the disc splits nearly
everything, and resolving that is the exporter's job), names a
person recognises, PNG/OGG/OGV/JSON only, base-and-overrides so
re-exporting is always safe, provenance in every file.
data/base + data/mods
generated tree and drop-in overrides, both gitignored
exchange/ transient inter-agent files, deliberately outside history
docs/agents/ the team protocol
Both the README and the navigation doc lead with the correction that cost the
most: the oracle is the real game under Xenia Canary. Reborn's renderer is a
hypothesis under test, it has been wrong, and treating it as ground truth
propagated into three documents and both agents before a human caught it.
Scripted modding stays possible without being built: no screen name is hardcoded
in GDScript and there is no native code in port/, which is what Godot Mod Loader
needs to be able to substitute behaviour later.