Three things, all from parsing ptbtn0Nf.rat as a build.
1. THE RING SPINS. Its two keyframes differ in exactly one field: rotation_deg
ramps 0 -> 360 with position, scale, alpha and tint all constant. A spin in
place, the same shape as the GP_BUNK example already recorded.
2. THE ORACLE CONFIRMS THE GAME RENDERS IT. In the OPTIONS-focused capture the
ring's bright head sits in a completely different angular position from the
sprite's own -- caught mid-spin. This is a SECOND independent confirmation that
rotation_deg is drawn, now on a different screen and a different element from the
ptloop sweeps, and it raises rotation's priority: it is not a title-only concern
that sits off-screen at rest, it is the main menu's focus marker.
NO ANGLE IS QUOTED. A brightest-region centroid says ~250 deg, but the control
refuses that precision -- rotating the sprite by a known 30/90/180/270 and
re-measuring gives errors up to 19.8 deg. What survives the error bar is that a
<=20 deg error cannot manufacture a ~250 deg displacement.
3. WHICH PLACEMENT WINS -- correcting this page's own earlier caveat, which said
to use the leaf only for elements the parent does not declare. Right for a BASE
record, wrong for an f record: the parent declares NO element for ptbtn0Nf.rat at
all (zero of build 5's 16), so the f record's placement comes from its leaf for
BOTH elements, label included. The label's (-7,-7) is load-bearing -- the f
sprite is 13px larger per axis and -7 keeps them concentric (535+96/2 = 583 vs
542+83/2 = 583.5). Corroborated against the oracle: the focused-minus-unfocused
region is x 505..703, and the leaf predicts a right edge near 707 where the
parent reading predicts 714.
Also exposes UiBuild::records (name -> (offset, size) of a nested .rat leaf).
Nested records were parsed into a PRIVATE map, so a consumer holding a UiBuild
could not locate a leaf's bytes at all -- which is exactly what blocked the port
from reaching the ring.
1 SPLASH ADDRESSING (was blocking P3). No content predicate exists: design size
fails (every extra composable bundle sampled is 1280x720, like every screen) and
element count fails (fragments run 2..15, the splash halves are 3 and 7). But
GP_TITLE needs none -- `--all` adds exactly four bundles there and all four are
real screens, with the --all index equal to the pak entry index 1:1. And there
are TWO splash screens: 11/14 are the developer logos, 10/13 are the SQUARE ENIX
publisher wordmark, which the port did not have and which the boot shows first.
2 FADE-OUT (was blocking P3). It is (a), and it is bigger than the fade quad.
Every element ends on exactly ONE untimed keyframe, which rules out (b); that
block is where the screen plays out -- quad to a=255, buttons/labels/glows to
a=0, frames hold. (c) is refuted by a null test that discriminates: a black quad
alone holds the button/background brightness ratio constant, and through the
fade it falls 6.50 -> 1.94, 3.4x monotonic.
3 FOCUS (saves P5 rework). Over-vs-instead is unobservable -- the focused sprite
covers the base at 100.0% of base-visible pixels on three pairs once aligned
(true offset (7,7); the centre alignment reads a misleading 78-84%), and
compositing both ways differs by RMSE 1.1 inside the button rect. The real defect
is the focus record's SECOND element: ptbtn0Nf.rat declares ptbtneff01.t32 (a
42x46 glowing ring, focus only) plus the bright label, where the base declares
one sprite. That ring is the marker the port draws nowhere.
5 GAMMA. The capture is not neutral: capture ~ 255*(render/255)^g, g ~ 1.34-1.49,
and the chain says it is a ramp the GAME installed, not a capture artefact. So
RMSE against captures has a floor. Reach stated: the flat patches are all dark
(render ~0-60), so midtones and highlights are unconstrained.
4 ROTATION is a human's call and is recorded in MISSION, not acted on -- the port
rotating while the reference renderer does not would make verify-screen report a
large diff meaning "the port is right". The RE half is answered: rotation is
about the declared pivot, measured against a GPU capture.
The focus record's +20 element-count word is marked 🟡 not ✅ -- read on GP_TITLE's
ten button records only; the disc-wide check is written and still running.
The handoff had Q3 as "runtime-solved only". It is not: the layer key at
+0x0A of the T8aD sprite header, stable-sorted, is a file-derivable paint
order, already checked against five measured orders and already driving
the compositor for every build on the disc. That answer had simply never
reached the page the port agent reads.
The new evidence is EXTRAS -- the first screen composited from the rule
alone and scored against a framebuffer capture the rule had never seen.
0.9620 at zero shift, against a same-tooling control of 0.9657 on the
screen the rule was fitted to.
Written down with its limit rather than its headline: align_to_capture
correlates edges, and a paint-order change moves blends, not edges, by
=<45/255 on a few per cent of pixels. So the score is evidence for
placement and only CONSISTENT with the order. The sharp A/B needs a
rebuild and is named in the doc instead of being claimed.
Read off the running game with screen_children.py and identified by pivot
signature as GP_TITLE.pak ratc-index 8, the NEW GAME / LOAD GAME / TUTORIAL /
OPTIONS / EXTRAS screen:
paint order: 1 3 4 2 5 8 9 6 7 15 10 11 12 13 14 0
It is the first measured screen carrying TWO primitives, and they land in
different places, which is the point. pteff02.prm (the 25% dim) paints 4th,
beneath the whole UI; pteff00.prm (the transition fade, resting transparent)
paints last. Both match their positions on the title screen exactly. So a
primitive's place is per-element and stable by role - backdrop first, dim at
slot 4, fade last - and there are now three permutations to test a derivation
against rather than two.
Wired into measured_paint_order, keyed by element names so both language builds
get it. The English build composited with --primitives edge-correlates at 0.9591
at shift (0,0) against a framebuffer capture taken in the same session - a third
screen confirming paint order, resting pose, fade alpha and primitives at once,
against a capture this project had not seen before.
13 disc tests green.
fill_quad composites an untextured primitive as a solid rectangle of the
keyframes fade colour, pivot x 2 in size, placed and scaled exactly as a sprite
is. Behind ComposeOptions::include_primitives and screen render --primitives.
On the title screen, whose paint order is ground truth, it is measurably right:
mean luminance 76.30 -> 63.72 against the captures 64.58, i.e. from +18% to
-1.3%, and mean absolute difference 16.07 -> 13.08. The background was ~40% too
bright; pteff02.prm, a 25% black dim, was what was missing. The wordmark is not
dimmed by it because the measured order paints that quad at slot 4, beneath the
logo. Edge correlation moves 0.9538 -> 0.9480, which is not informative here: a
uniform dim scales gradients uniformly so a normalised edge score barely sees it.
OFF BY DEFAULT, and that is the finding. A primitive has no T8aD header, so no
layer key, and derived_paint_order sorts the keyless to the end. GP_DIALOGs
pzeff00.prm is a single keyframe of opaque black at full screen; painted last it
wipes the build. Of the 125 builds that draw a visible primitive, 36 come out
>99% one colour with the derived order.
No constant default works, because the two screens read off the running game
disagree: the splash paints its primitive FIRST (the black backdrop) while the
title paints one at slot 4 and another LAST (the fade-out). Declaration order
fails the title too. A disc test measures the damage rather than asserting the
feature works, so the number moves when the ordering is solved.
Also records a false alarm worth keeping: a first pass reported 36 GP_DIALOG
builds at "100% black", which was a crude near-black pixel threshold and not a
black screen - those dialogs are dimmed 50% and perfectly legible. The genuinely
wiped builds are a different set.
blit modulated by tint only, which is 0xffffffff on essentially every keyframe,
so the fade word was decoded, stored and then discarded. Applying it as an ARGB
modulate takes the title composite's edge correlation against the framebuffer
capture of the running game from 0.4597 to 0.9538, both at zero shift. The white
wordmark with its blue outline, the trademark, the copyright and the orange
exploding planet all appear -- the planet because a full-screen blue effect that
rests at alpha 0 had been painting over it at full opacity.
ARGB is measured: across a fade-in the high byte walks 0x00 -> 0x80 -> 0xc0 ->
0xe0 -> 0xff while the low three stay ffffff, and the low 24 bits are 0xffffff on
5276 of the disc's 5453 resting keyframes.
A modulate can only remove pixels, so the risk is a blank screen. Measured: no-op
on 4060 of 5200 sprite elements, partial on 453, hides 687 -- transient HUD
indicators that should not be lit at rest -- and NO build is left with nothing
visible. A disc test asserts that, and that the no-op share stays high, which
also guards the resting rule against drifting onto ramp frames.
Both changes are in one commit because the second is invisible without the first.
Applying fade erased the word PAUSE, which the running-game capture plainly
shows: pgptitle.rat has three runs of two identical keyframes -- pre-roll, hold,
exit -- and the 'later run wins' tie-break grabbed the exit. A group carries the
screen's entry animation AND its exit, so a run ending on the last keyframe is
now excluded unless it is the only one. The title correlation is unchanged.
Element::rest() picked the keyframe with the largest gap to the next keyframe's
time. That reads a keyframe as a value held until the next one; it is the start
of a ramp toward it. A long gap after keyframe k means the screen spends that
time arriving at k+1, so the settled pose is at the far end of the gap.
The title wordmark zooms in over five frames and holds at (184,193) at 100% from
t=251 to t=264. The old rule picked the frame before the long gap: (179,186) at
101%, still mid-zoom.
Measured against the framebuffer capture of the running title screen, which is a
1:1 crop so frame coordinates map directly (confirmed: the copyright line lands
on row 669 in the capture and in both composites). Edge-correlated over the
wordmark box:
plateau (landed) best 0.4597 at shift (0,0)
longest dwell (old) best 0.1511 at shift (+3,+8), 0.1268 at (0,0)
The old composite scores 3x lower and only peaks after being moved, by about the
(-5,-7) that picking kf4 instead of kf5 predicts.
It also fixes six title elements the old rule rested at alpha 0x00 where the
capture plainly shows them, and pteff00.prm - the full-screen fade quad painted
last - which rested at opaque black. That was the blocker on .prm compositing.
Adds tools/re-capture/align_to_capture.py, which is how this was scored, and
turns the .prm test that deliberately asserted the old defect into a guard on
the fix.
Not settled and now the next item: compose ignores the keyframe fade alpha
entirely (blit modulates by tint only), which is why choosing the wrong keyframe
was invisible until now.
The developer-logo splash declares its sprites directly and has no .rat layout
child, so is_build rejected it and no screen command could render it — despite
it being one of only two screens whose paint order has been read off the running
game, and the one where the layer key explains the whole permutation.
Adds ui_layout::is_composable (a declaration table plus at least one element
resolving to a T8aD the bundle carries) and an opt-in --all on screen
list/info/render. Measured on the disc: 2859 RATC bundles, 965 pass is_build,
2751 pass is_composable, and 0 pass is_build without passing it — a strict
superset. It is opt-in because the 1786 extra bundles are mostly two-element
fragments (a button and its glow), and because widening the default would
renumber --build for every pak, invalidating the build indices the corpus's
notes cite by number.
The splash now renders 6/7 elements, painting its glows first in the order
measured off the game; a disc test pins that order.
`compose` skips focused-state records by default, so whatever that flag matches
vanishes from every composite. It matched a trailing `f` in the name and nothing
else, which is not the convention — it is a letter.
Measured across the disc: 2458 elements match the suffix and only 54 of them
have the base element they would be the focused version of; all 54 are
`pgmenu_btnNNf.t32`. The other 2404, spread over 864 bundles, are `_eff` glow
layers whose names end in the same letter — `pb_name_eff.t32` alone accounts for
1122 of them, and `palogo_gamearts_eff.t32` is one the draw capture shows the
game painting, before its logo, with its own layer key.
Requiring the pair recovers 587 glows in the composable builds. GP_OPTIONS is
the plainest case: without `pbmwindow_eff.t32` the panel had no window at all,
just two floating brackets (captures/ui-layout/options-with{out,}-its-glow-layer.png).
Two other candidate rules were tried and refuted first. The `opt` link is not a
focus link: 221 elements are opt-targets, only 2 of them suffix-match, and the
targets include `pjnet_bg.rat` and `pv_loading_loop1.rat`. And the suffix alone,
as shown above, is unrelated to anything.
Second screen, independent of the pause work: GP_TITLE.pak's ptbtn01..05.rat give
X=542 for all five items and Y=162/242/322/402/482, an 80px pitch where the pause
menu used 70. Measured against the main-menu screenshot the sprite tops sit at a
constant +46px for all five, which is exactly the 45px of Xenia window chrome plus
one — so the record's Y is the sprite's top edge in the guest framebuffer, to the
pixel, on a screen the format was not derived from.
GP_TITLE also splits by sub-screen the way the pause pak splits by context:
ptbtn00 (PRESS A BUTTON), ptbtn01..05 (main menu), ptbtn11..13 (EXTRAS submenu),
pgloading_* (loading screen).
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Each UI sprite <name>.t32 ships with a <name>.rat companion, and that companion
is the layout record: big-endian u32, a 1280x720 design space at 0x18, and a
placement block of scaleX/scaleY/tint/X/Y. Animated elements repeat the block
with a trailing time field (keyframes); an 'opt ' tag carries a length-prefixed
link to the focused-state record.
Verified in that order, records first: across the four pause buttons exactly one
field varies, stepping 268/338/408/478 at a constant 70px pitch with X fixed at
226; the three items visible in a screenshot of the running game measure
346.0/415.5/485.5, mapping onto those numbers under one constant offset to
within 0.5px. The tutorial build's records are outright framebuffer coordinates,
and compositing its sprites there reproduces the screenshot pixel-accurately.
Also records two mistakes the A/B caught, since a static-only reading would have
shipped both: texture width does not identify a language (Japanese fits English
widths), and the in-mission and tutorial pause menus are separate sprite sets
rather than one set re-packed into slots.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
