ADV.wmv carries ONE audio stream and it is wmapro 5.1, not XMA. Any framing of
the intro's audio as only 'which of three voice streams to ship' was missing the
bed.
Aligned the 148 s capture against that track (envelope r 0.769 against a median
of -0.001, refined to +224 samples, r 0.900) and solved
capture = g x movie + residual per channel.
The gain is 0.600 on every channel -- a uniform -4.44 dB, a mixer setting rather
than a fit artefact. LFE reproduces to -115.73 dBFS, 72 dB down, which is what
rules out codec difference as the explanation for the other residuals. FC is the
exception: the movie explains NOTHING of it (-0.09 dB), and the movie's own FC is
91.6 % silent.
The residual is three signals, not one: a front pair (r 0.918), a rear pair
(r 0.929), and a centre whose partner LFE is empty. The FC residual spans 34 dB
across 100 ms frames -- bursty, not steady noise.
That CONFIRMS the corpus's 5.1 reading, which voice-three-streams-are-concurrent
recorded as not established, and it confirms the specific detail it offered: that
the mono-in-stereo stream is 'a centre paired with a silent LFE'. Measured from
the output with no access to the stream contents.
Also corrects my own census page: it labelled channels with the ALSA permutation
[0,1,4,5,2,3] from the recipe page, which does NOT apply to this capture. The
6x6 matrix was computed assuming no order, every row's max falls on a distinct
movie channel, and the answer is the identity -- so the census's 'BR is 82 %
silent' was really LFE, reconciling with the movie's own 80.64 % silent LFE.
Reach: one boot, one movie; which XMA context is front/centre/rear is not
determined, only that the residual occupies those positions; and whether 0.600 is
a fixed constant or a volume setting is unknown.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01Wuu56cE8vJGTBtn1ppsk8v
232ae0fa9c