re: the unvoiced script lines are not the resupply case -- 0 of 14 have a cutscene twin

Having found that the cue-less cutscene pages bind their audio through the movie
path, I tested the same explanation on the twelve script lines with no cue and
no bank. It fails: matching their caption text against every line in the
cutscene message table gives 0 of 14 hits, so nothing carries their audio by
another route.

They are ordinary story dialogue ('Katana, wait for me in hell'), which makes a
deliberate subtitle-only design unlikely -- but that is a judgement, not a
measurement, and why they are unvoiced is still open. Also noted: D_609 and
D_610 are equally unvoiced and simply are not among the twelve, because the
twelve counts script-called names and nothing calls them.
This commit is contained in:
Sylpheed RE agent
2026-08-26 04:24:37 +00:00
parent ce726eaa9c
commit f47d013c94

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@@ -69,10 +69,27 @@ have no bank file; those are `SE`/`BGM`-family cues living in other banks.
All twelve are in the `VOICE` family, have caption text, are called from the
stage scripts, and have neither a cue nor a bank. Ten of them form the near
contiguous block `D_600``D_611`. Whether they are subtitle-only by design or
a late cut is **not settled** — the shape (a contiguous high block) suggests
lines added after the recording sessions, but that is a guess, not a
measurement.
contiguous block `D_600``D_611`. (`D_609` and `D_610` are equally unvoiced but
are not among the twelve, because nothing in the stage scripts calls them — the
twelve counts *script-called* names only.)
**They are not the resupply case.** When the cue-less *cutscene* pages turned
out to be lines whose audio binds through the movie path rather than a cue
(see [cutscene-message-table.md](cutscene-message-table.md)), the obvious
question was whether these twelve are the same thing. They are not: matching
their caption text against every line in the cutscene message table gives
**0 of 14** hits. There is no twin carrying the audio by another route.
They are ordinary story dialogue, not stage furniture —
D_602 "Katana, wait for me in hell. I won't be long."
D_611 "Ahahahaha! Father, I've done it!"
A_273 "Emergency! Emergency! We just received orders to evacuate…"
— which makes a deliberate subtitle-only design unlikely, but *unlikely* is not
*measured*. ❔ Whether these are a late cut, lines added after the recording
sessions, or something else is **still not settled**. What is now settled is
that the one available alternative explanation does not apply.
## What this does *not* settle