7737df6ba1ec21d9d5ddac411dc747d58c5cdcb1
1059 Commits
| Author | SHA1 | Message | Date | |
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sylph-decoder
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7737df6ba1 |
tools: a screen oracle that matches CONTENT, with movie frames as its controls
The statistics oracle (green/white/mean) cannot reject the class it exists to reject. A frame of ADV.wmv with a bright green laser reads green 0.0018 / white 0.086 / mean (53,67,76) -- the title's numbers -- and a probe built on it tapped (A) into the movie, then waited 120 s for a menu that was never coming. screen_match correlates against committed captures instead. Controls run before it was ever used live: 8/8, and the negatives are COMMITTED movie frames rather than scratch grabs -- an earlier list pointed at two scratch files and a later run of the same probe overwrote one, failing the control for the wrong reason. Two paths, both controlled. The exact path costs 1503 ms/frame, which is fine offline and catastrophic in a live loop; fast=True decimates 4x for 38-75 ms and agrees with the exact path to +/-0.005 on all eight. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01KNR5Y79D1T4bBr6gJQaWFP |
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sylph-decoder
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7e20853592 |
re: withdraw the no-disc banner -- the disc is mounted, and both instruments that said otherwise were blind to it
The container was replaced at 11:07:38 UTC, 25 minutes after
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sylph-decoder
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3a87a26235 |
game: fill in the player's-eye navigation map from the committed oracle frames
Sections 1 to 3 were almost entirely open questions. Everything a capture in docs/re/captures/ actually shows is now written down from the chair: what is on each screen, what the cursor does, and what each footer offers. Boot: the publisher plate is SQUARE ENIX, the developer plate is GAME ARTS / SETA / studio anima, both still pictures the game draws rather than video, then the cinematic -- one A skips it, 57 s to the title against 193 s without. Main menu: the five labels and where each goes, the wrap rule, and the caveat that initial focus varied across four boots. Carries the footer warning from the measurement in the same push. Submenus: NEW GAME's DIFFICULTY and SELECT DATA; LOAD GAME's slot carousel, Details panel and its five-button footer; the six tutorial lessons in two groups; OPTIONS' four categories; EXTRAS' three items; and MISSION SELECT with the locked-list explanation for the cursor that would not move. What stays open is marked open, and it is now the residue no capture answers rather than the residue nobody looked at. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_013UxPvE5cz7zekXBKi7Xw2r |
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sylph-decoder
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f6d49da612 |
re: two menu facts re-measured from the committed captures, no disc needed
Refutation attempt, per the adversarial duty. Target: this page's own row "B on the main menu goes to the title". Chosen because it is one of only two Q5 rows with an empty evidence cell, and because it is the only exit from the main menu, so the port will build on it. Whole-frame colour test for the pad-glyph discs. The main menu carries ZERO red-B pixels anywhere in the frame, on two independent captures, while the same unchanged detector finds 514 on EXTRAS and 518 on DIFFICULTY. The control passes twice: the A glyph reads 438/438/440/438 across all four screens, so it is one asset at one size and a B of that family could not have slipped under a threshold. The main menu's legend is "Select / OK"; every submenu adds "Back". The claim SURVIVES -- a legend is not behaviour, and an absent glyph cannot refute an observed press -- but it is downgraded to amber. The observation is uncited and single, it is now the only Q5 row the game's own text contradicts, and there is a named confound: the title-side screens auto-return after ~8-10 s idle, which looks exactly like what was described. Reading 0x828A690C while pressing B would separate them in one run; that run needs a disc this container does not have. Second finding, same method. MISSION SELECT's "sixteen d-pad presses never left Stage 01" was a LOCKED stage list, not a broken one. The labels have three brightnesses, not two -- locked 104, unlocked 183, focused 254 -- and the all-story-unlocked capture is the control that separates the lower two while holding row 1 at an identical 254. On that save the cursor reaches Stage16 at the bottom of a scrolled list. The list is 16 long and shows 8 at a time. Regenerator committed beside the finding; it reads only files already in git. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_013UxPvE5cz7zekXBKi7Xw2r |
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sylph-decoder
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b9aca6a2d9 |
re: the decoder container has no disc -- root-caused to the volume migration
find / -xdev turns up no ISO, no default.xex and no GP_TITLE.pak; /exchange is empty; SYLPHEED_DISC is unset; sylph-doctor agrees. Everything else in the container is healthy -- xenia_canary is built, :98 is up, screenshot works, Vulkan enumerates. There is simply no game to boot. The cause is in the launcher. Before |
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MechaCat02
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06676d3dc0 |
containers: each agent clones the monorepo into its own volume
Some checks failed
The last structural fix for the collision class that has bitten three times. Both containers now clone the repository into their OWN named volume instead of bind-mounting a human's working tree, so an agent's local git config cannot capture a human's commits, a credential helper cannot leak a container-only path onto the host, and a `git add -A` cannot sweep another party's in-flight files. Cloned once at startup and never auto-pulled: pulling under a running agent moves files out from under whatever it is mid-edit, which is the same bug again. Accepted knowingly: Claude Code keys per-project memory off the working directory, so moving off the host path starts that memory empty. The corpus in docs/ is the memory that matters and it travels with the clone. Other changes: * docker/agent -> docker/decoder; the launcher is sylph-decoder. Roles, not "the agent", now that there is more than one. * /reborn is gone -- one repository now, so the port reads HANDOFF from its own checkout rather than through a live read-only mount of someone else's tree. * Canary mounts separately at /canary; it stays a fork tracking upstream. * A shared `sylpheed-exchange` volume at /exchange, with tools/ on PATH so `share` is available in both. * The decoder's credential file gets the .host-copy treatment the port already had -- `credential.helper=store` rewrites by rename-over-target, which is EBUSY on a bind mount and reports a fatal that is not one. * Budget split deliberately: decoder 5 cpu / 6 GB, port 3 / 4, leaving room for the planned Referee. "Half the host" was right when there was one agent. Prompts move to docs/agents/ and are rewritten around the protocol: the oracle is the running game, dynamic RE stays with the decoder, each iteration must attempt to refute one claim of the other, and neither may verify its way out of its own role. |
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MechaCat02
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a8815f2826 |
agents: the team protocol, the share tool, and a player's-eye navigation doc
Some checks failed
**navigation.md rewritten from the player's chair.** It was written from the inside out -- GamePart ids, pak names, sprite names -- which is how WE find things, not what the game shows anyone. Now it describes what is on screen, what you press and what happens, with internals as footnotes. Most rows are open on purpose: it exists to be filled in by playing, and the in-game tutorials are the resource for the flight half. **tools/share** gives transient files provenance without giving them history. Three kinds of thing were travelling down one channel with opposite needs: code and decoded knowledge want permanence, cited evidence wants permanence, and "look at this PNG" wants no history at all. The third kind bloats a repository forever; passing it by message is worse, because the receiver gets bytes with no idea which build produced them. `share put` records who, when, what, the sender's commit, and whether their tree was dirty -- because a capture taken from a modified tree cannot be reproduced from the sha, and the receiver deserves to know that before building an argument on it. **docs/agents/PROTOCOL.md** is the contract. The parts that matter: Dynamic RE stays with the Decoder -- most of what is open is behavioural and cannot be answered from the file. What the planned Referee adds is different: bias enters at what you CHOOSE to capture, so a corpus captured to a fixed protocol by someone with no hypothesis is worth more than one captured to settle an argument. A message may point, ask, prioritise and challenge. It may not change scope, redefine ground truth, or carry a finding instead of writing it down -- including a message claiming to relay the human, because a relayed instruction has no evidence attached and this project has watched a wrong belief travel further and faster than its correction. Adversarial duty is explicit: every iteration, try to refute one claim of another agent and record the attempt either way. Run your own instrument through a control first. Disagreements go to the human with both positions, not to whoever is more certain. And no agent may verify its way out of its own role: the Port has no oracle, the Decoder builds nothing, the Referee interprets nothing. |
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MechaCat02
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65cefa74c3 |
monorepo: one repository for the decoders, the port and the corpus
Some checks failed
Merges the Godot port into the reverse-engineering repository, preserving both
histories -- 1019 commits of corpus plus the port's 31, brought in by subtree
merge and then moved into place so git can follow each file across the rename.
The reason is not tidiness. The two-repo split forced the exporter to depend on
the decoders by pinned revision, and that created a whole class of failure that
now disappears: a sha reachable only from a topic branch, orphaned by a
squash-merge, breaking a fresh checkout silently at build time. It also forced a
live read-only mount of one agent's working tree into another's container, which
is why a contract file could move mid-iteration. With a path dependency, a
decoder change and the exporter change it requires land in the same commit or
not at all.
Canary stays separate: it is a fork tracking upstream.
New structure for the long term:
docs/game/ how the game is NAVIGATED -- menus, modals, prompts, alerts,
and in-game flight. Written so nobody rediscovers it. Mostly
open questions on purpose; the in-game tutorials are the
resource for the flight half.
docs/port/MODDING.md
modding as a constraint on the exporter TODAY, not a later
feature: one logical asset in one file (the disc splits nearly
everything, and resolving that is the exporter's job), names a
person recognises, PNG/OGG/OGV/JSON only, base-and-overrides so
re-exporting is always safe, provenance in every file.
data/base + data/mods
generated tree and drop-in overrides, both gitignored
exchange/ transient inter-agent files, deliberately outside history
docs/agents/ the team protocol
Both the README and the navigation doc lead with the correction that cost the
most: the oracle is the real game under Xenia Canary. Reborn's renderer is a
hypothesis under test, it has been wrong, and treating it as ground truth
propagated into three documents and both agents before a human caught it.
Scripted modding stays possible without being built: no screen name is hardcoded
in GDScript and there is no native code in port/, which is what Godot Mod Loader
needs to be able to substitute behaviour later.
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MechaCat02
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8c33f86a20 |
merge the Godot port's history into the monorepo
Brought in with a subtree merge rather than a copy, so the port's 31 commits survive as history rather than arriving as one anonymous import. Landed under godot-import/ and moved into the final layout in the next commit, which keeps git's rename detection able to follow each file across the move. |
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MechaCat02
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ff0937fa8a |
port: pin the 5.1 downmix matrix explicitly -- human decision
The RE agent escalated this rather than picking, correctly: folding centre into L/R changes how dialogue sits against the music, which is an aesthetic judgement about the game and not a container detail. Decided: explicit ITU fold, centre at -3 dB, recorded in the manifest with the rest of the transcode command. Pinned rather than defaulted because a default is a decision nobody made -- invisible in the output and free to change between ffmpeg versions. |
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Sylpheed port agent
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8d7373b16c |
video: state the 5.1 downmix instead of inheriting it, and write atomically
A real defect in the P4 output, found by the human on ADV.wmv and widened by the RE agent to the whole disc: the disc ships 28 movies in 5.1 WMA Pro (every cutscene, INCLUDING both movies this port needs) and 69 already in stereo. A bare `-ac 2` therefore does two different things and records neither -- stereo passes through, and 5.1 is folded by ffmpeg's DEFAULT matrix. How loudly centre-channel dialogue sits against the music is a content decision, and it was being made by accident and could move under an ffmpeg upgrade. Now stated: ITU-R BS.775, LFE dropped, normalised by 1/(1+2*sqrt(1/2)) = 0.4142. It appears in the recorded command, so the manifest determines the output. MEASURED rather than chosen by taste, and the measurement is the interesting part: the explicit matrix and ffmpeg's inherited default differ by a residual of -91 dB -- about one LSB at 16-bit -- with peak and mean agreeing to 0.1 dB. So ffmpeg's default IS this matrix, and the audio does not change; what changes is that the manifest now says which matrix. The UNnormalised textbook form was measured too and clips at 0.0 dBFS, which is why the scaling is there. The filter is applied only to 6-channel sources, probed per file with ffprobe, so a stereo source is never run through a matrix referencing channels it lacks. Also: encode to a temp name and rename on success. ffprobe read a mid-write .ogv as 33 s against a 137 s source -- no error, no warning, the exact shape of catastrophic truncation. The filesystem is shared with the RE agent, so that is a race, not an edge case, and a half-written file must never be visible under its final name. tools/verify-video-audio answers the second of the three questions docs/AUDIO-VERIFICATION.md separates: does GODOT route the audio. An AudioEffectRecord on the Master bus writes Godot's own mixed output to a WAV from a headless run, so "no sound card" was never the obstacle I claimed. It deliberately checks non-silence and level only -- a difference-signal RMS against the source is inconclusive without cross-correlation alignment and an agreed downmix, and would produce a confident wrong number. |
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Sylpheed port agent
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700094bef1 |
FORMAT v3: rotation, and the focus record -- the ring the port could not reach
Pin bumped to the TAG formats-pin-2026-08-29 (
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MechaCat02
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c0a5725934 |
port: pin by tag, and how to verify audio with no sound card
**The pin.** Pin a TAG, never a bare sha. A sha reachable only from an auto/* branch is orphaned when that branch is deleted or -- worse -- squash-merged, because squash creates new commits: main looks like it contains the work while the pin becomes unreachable and this project stops building for a fresh checkout, silently, at their build. formats-pin-2026-08-29 exists for the current state. Also says plainly why NOT to float to a branch, which was the tempting fix: Cargo resolves a git dependency once and writes the sha into Cargo.lock, so floating gives staleness you cannot see instead of staleness you can read. push-work now pushes --follow-tags so annotated tags travel with the branch. **Audio.** docs/AUDIO-VERIFICATION.md separates three questions that were being asked as one: is the transcode faithful (no engine, no device -- a file-vs-file difference measurement), does Godot route it (AudioEffectRecord on the Master bus writes a WAV from a headless run), and what does the GAME play (a PulseAudio null sink, which needs a rebuild). It leads with the three ways the fidelity measurement lies, because all three were hit on the first attempt and each produces a confident wrong number rather than an error: unaligned subtraction, mismatched channel layouts, and probing a file another process is still writing. The 5.1 disc fact deliberately is NOT copied here -- it lives in the RE corpus at docs/re/structures/movie-audio-channels.md and is linked, so there is one copy to keep true rather than two that drift. Same reason HANDOFF is a summary with links. The downmix itself stays flagged as an unmade decision, not quietly resolved. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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Sylpheed RE agent
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26b5afeaa3 |
agent: tag the decoder states the port pins, and stop leaking credential config
Two fixes to push-work and the policy that goes with them.
**Tags.** The port's exporter depends on sylpheed-formats BY REVISION, so a
commit of ours is part of its build -- and the commit it pinned lived on one
auto/* branch and nowhere else. Deleting that branch orphans it; squash-merging
it is worse, because squash creates NEW commits, so main appears to contain the
work while the pinned sha becomes unreachable and the port stops building for a
fresh checkout. Silently, at their build, long after the breakage.
push-work now pushes with --follow-tags, which publishes annotated tags
reachable from the pushed commits, and MISSION.md says to tag whatever the port
needs. formats-pin-2026-08-29 at
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Sylpheed RE agent
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3491d30066 |
re(media): the disc ships movies in TWO audio profiles, and 28 of them are 5.1
Probed all 97 movies. 28 are wmapro 48 kHz 6-channel 5.1 -- ADV.wmv and every S*.wmv story cutscene; the other 69 are wmav2 48 kHz stereo, every RT*.wmv and hokyu_*.wmv. The split is cinematics vs in-mission radio chatter. Both movies the menu milestone needs, ADV.wmv (the boot/attract intro) and S00A.wmv (the new-game intro), are in the SURROUND group. Why it matters: one ffmpeg command over dat/movie/ produces two different kinds of result and records neither. The 69 stereo files pass through unchanged; the 28 surround files get downmixed 5.1 -> stereo by ffmpeg's DEFAULT matrix, folding centre-channel dialogue into L/R at a weighting nobody chose and which is not stable across ffmpeg versions. That is a content decision inherited by accident, so it should be stated explicitly and recorded beside the command. Credit where due: found by the human while checking a transcode, verified independently here and widened from one file to the whole disc. Two METHOD entries from the same episode, both about measurement rather than format: don't probe a file another process is still writing (a half-written transcode reported 33 s against a 137 s source, no error, nearly a filed bug), and a difference-signal RMS is meaningless before cross-correlation alignment (-34.2 dB against a -25.3 dB source looks like failure and is inconclusive). |
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Sylpheed RE agent
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7eeae3006a |
re(ui): the focus ring SPINS, the game draws it, and the leaf owns the f record
Three things, all from parsing ptbtn0Nf.rat as a build. 1. THE RING SPINS. Its two keyframes differ in exactly one field: rotation_deg ramps 0 -> 360 with position, scale, alpha and tint all constant. A spin in place, the same shape as the GP_BUNK example already recorded. 2. THE ORACLE CONFIRMS THE GAME RENDERS IT. In the OPTIONS-focused capture the ring's bright head sits in a completely different angular position from the sprite's own -- caught mid-spin. This is a SECOND independent confirmation that rotation_deg is drawn, now on a different screen and a different element from the ptloop sweeps, and it raises rotation's priority: it is not a title-only concern that sits off-screen at rest, it is the main menu's focus marker. NO ANGLE IS QUOTED. A brightest-region centroid says ~250 deg, but the control refuses that precision -- rotating the sprite by a known 30/90/180/270 and re-measuring gives errors up to 19.8 deg. What survives the error bar is that a <=20 deg error cannot manufacture a ~250 deg displacement. 3. WHICH PLACEMENT WINS -- correcting this page's own earlier caveat, which said to use the leaf only for elements the parent does not declare. Right for a BASE record, wrong for an f record: the parent declares NO element for ptbtn0Nf.rat at all (zero of build 5's 16), so the f record's placement comes from its leaf for BOTH elements, label included. The label's (-7,-7) is load-bearing -- the f sprite is 13px larger per axis and -7 keeps them concentric (535+96/2 = 583 vs 542+83/2 = 583.5). Corroborated against the oracle: the focused-minus-unfocused region is x 505..703, and the leaf predicts a right edge near 707 where the parent reading predicts 714. Also exposes UiBuild::records (name -> (offset, size) of a nested .rat leaf). Nested records were parsed into a PRIVATE map, so a consumer holding a UiBuild could not locate a leaf's bytes at all -- which is exactly what blocked the port from reaching the ring. |
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Sylpheed port agent
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2fbcd59920 |
docs: retract "reference renderer" -- sylpheed-cli is not the oracle
A framing correction from the human, and it runs through everything I have written, so it is a retraction rather than a silent edit. Reborn "was/is just a GUI explorer and extraction CLI for verifying the decoding of the various files. It may very well be wrong." The oracle is the Xenia Canary capture and the game. So verify-screen is a CONSISTENCY check between two decoders that share their assumptions, plus a regression detector -- not a correctness check, and agreement in it is not evidence of correctness. Its header now says so, it calls the CLI the COMPARISON renderer, and DIFFERS means "we moved apart, find out which of us moved". The uncomfortable part, recorded because it is the actual failure mode: this file already contained the sentence "two renderers reading one field through one decoder agreeing is not evidence that the field is right", written after the ptframe1 case -- and I then went on quoting 3/255 against sylpheed-cli as though it meant the port was right. Having the principle written down did not stop me leaning on the agreement. Three times both renderers agreed and both were wrong, each caught only by a capture: pteff05 (menu screens had no background), scale-0 (drawn full size instead of collapsed), rest() (the menu bracket missing). Correctness moves to the captures -- nine of them, indexed at docs/re/captures/ORACLE-CAPTURES.md, covering all five screens in scope. Three cautions travel with them: not gamma-neutral (there is a floor, don't chase it), geometry IS sound (a positional disagreement is real), and each is one moment of a still-animating screen. verify-screen keeps running over all 16 screens every iteration. It is still worth having -- total, cheap, and it catches a divergence introduced on the RE side. It is just not a grade. |
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Sylpheed port agent
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579c8096c1 |
port: P4 -- the intro video plays inside the boot sequence
The exporter transcodes ADV.wmv and S00A.wmv to Ogg Theora and records the exact ffmpeg command in the manifest, per MISSION §6, so a modder who dislikes the quality re-runs one line rather than reverse-engineering what was done. Quality was MEASURED, not judged: SSIM against the decoded source over a 10 s sample is 0.9863 / 0.9896 / 0.9924 at -q:v 6 / 8 / 10, and at 200 % zoom on the reel's hardest case -- fine serif text and soft gradients over near-black, where Theora breaks first -- q8 is indistinguishable. So MISSION §6's permitted FFmpeg-GDExtension fallback is NOT needed and is NOT being proposed. No new runtime dependency. -ac 2 because the source is 6-channel WMA Pro; that downmix is a decision, so it lives in the recorded command rather than in prose. Encoding is cached on a .cmd sidecar holding the command and the source size -- any change to either re-encodes. export/ is still regenerated wholesale; this is derived state validating derived state, not a hand-edit, and without it every re-export pays ~4 minutes to produce a byte-identical file. The player renders INTO the design SubViewport. Parenting it to the Boot node played the movie to the window instead, and every captured frame came out black -- which is worth more than a capture-bug note: a movie outside the 1280x720 design space is outside the coordinate system every screen is expressed in. (A) skips a movie, because Q9 measured that (title at 57 s vs a 193 s baseline). NOT VERIFIED, and stated as such: audible playback. This container has no audio device and Godot falls back to the dummy driver. The Vorbis stream exists, is 2-channel and decodes; whether Godot emits it is unconfirmed. |
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Sylpheed RE agent
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d110cf38c7 |
media: expose se_wave_riff -- the menu's SE cues, assembled where the format lives
The port is forbidden from reimplementing media assembly and Static.slb is exactly that case: no RIFF, no seek chunk, no XACT container, just a packed run of whole 2048-byte XMA1 packets, so a wave is defined only by (offset, packet count) and the header has to be synthesized. That step now happens once, in the crate that owns the format, instead of in each consumer. `slb::xma1_wave_riff` wraps raw packets; `media::se_wave_riff` looks the bank up and reads just the packets asked for. Both reuse the existing synth_xma1_fmt / build_riff, which are already byte-identical to what tools/re-capture/ slb_extract_wave.py writes -- so this is exposure, not a second implementation. It reads a TARGETED range rather than the whole bank, and that is load-bearing: Static.slb is the ONE entry of sound.pak's 9 519 whose declared extent runs past the end of the extracted segments -- by exactly 616 768 B -- so reading it whole fails outright on this extraction. Every cue we need is in the first few hundred KB. Recorded rather than worked around silently. Verified as an artifact, not a compile: all three cues decode through ffmpeg to mono 48 kHz PCM at 0.533 / 0.344 / 1.016 s, non-silent (rms 2085 / 2985 / 4327, peaks 29813 / 16973 / 32767). The refusal path is exercised in the same run -- an impossible packet count is rejected rather than returning a short stream, because a truncated XMA decodes to plausible-sounding garbage. Also adds docs/re/captures/ORACLE-CAPTURES.md: an index of the nine canary framebuffer captures already in this repo, and a plain statement that THEY are the reference and `screen render` is not. |
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Sylpheed RE agent
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b21c8e4118 |
re(ui): the focus ring's position is decoded -- a .rat leaf parses as a build
The port needed ptbtneff01.t32's placement and was about to author it from an eyeballed PNG measurement. It does not have to: a `.rat` leaf needs no new reader. Its first 32 bytes have a bundle header's shape -- "RATC", 0x3c declaration-entry size at +4, element count at +20, design 1280x720 at +24/+28 -- so ui_layout::parse_build reads it unchanged. The control is the base record, whose position is known independently: the parent screen reports ptbtn01.rat resting at (542,162), and parsing the leaf alone returns ptbtn01.t32 at (542,162). It reproduces all five buttons. Positions are absolute design-space top-left. The ring rests at (500, 156/236/ 316/396/476) for buttons 1-5 -- a uniform (-42,-6) from each button's own rest, identical in the Japanese bundle. The bright label is a uniform (-7,-7). Two things recorded rather than smoothed over: a leaf's placement DUPLICATES the parent's rather than being relative to it, and the two copies are not always byte-equal (ptbtn04's parent says y=401, its leaf says 402) -- the parent is what compose honours, so the leaf is the source only for elements the parent does not declare, which is exactly the ring. And `screen render --focus` is blind to the ring for the same reason the port's exporter was: el.focused is name-based on top-level elements and neither walks into the leaf. |
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Sylpheed port agent
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b632602517 |
docs: P3 -- the boot runs unattended, and four answers taken as given
Gate: `godot --path port -- --boot --film=/tmp/boot` runs publisher_logo -> developer_logos (4.65 s) -> title (8.57 s), holding on the title after 13.05 s, each screen fading in, holding, and fading through black into the next. verify-screen now covers all 16 screens and passes `--all` to the reference renderer: the exporter addresses by pak entry index, which is the numbering `--all` uses, and without it `--build 10` would land on entry 12. The four new splash bundles come in at max 1-2/255. The three known differences are unchanged. Also recorded, taken from the RE agent rather than re-derived: * Focus stays "replace" -- over-vs-instead is unobservable (the focused sprite covers the base at 100 % of base-visible pixels; the two compositions differ by RMSE 1.1, under the gamma floor). The port guessed right for the wrong reason. The real gap is that ptbtn0Nf.rat declares TWO sprites -- a glowing ring, then the label -- where ptbtn0N.rat declares one. P5's, and the ring's placement is not decoded, so it will be authored from the capture and marked as such. * RMSE against captures has a FLOOR: capture ~ 255*(render/255)^g, g ~ 1.49 menu and EXTRAS, 1.34 title, and it is a ramp the GAME installed, not a capture-path artefact to subtract. Narrow reach (fitted on mostly-dark patches), so the port will not extrapolate it and will not apply it to rendered output. It is a comparison constant, not a rendering one. * Rotation is escalated to a human and the port has NOT acted. The RE half is answered -- about the declared pivot, measured -- and it has zero effect on the five screens at rest. |
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Sylpheed port agent
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0a026074d3 |
port: play the exit ramp, and run the boot sequence unattended
P3. The exit is the group playing ITSELF out, not a black rect over a frozen screen -- and that was settled by a test that discriminates rather than by plausibility. Under the black-rect model every region is scaled by the same 1-alpha, so the button/background brightness RATIO would hold constant through the fade; measured, it falls 6.495 -> 5.574 -> 3.105 -> 2.125 -> 1.935. Implemented by giving the final untimed keyframe a SYNTHETIC time, exit_ramp_units after the last timed one, then interpolating it like any other frame. One code path: arriving and leaving differ only in how far `t` is allowed to run, not in kind. `holding` is what the sequencer clears to send a screen away. The sequencer waits on nothing the disc does not carry. A screen holds until its own group has arrived, then plays out; `dwell` in flow.json is deliberately empty because each screen's dwell IS its keyframe group (publisher wordmark 3.92 s, developer logos 3.17 s, both read from the disc). Any extra hold would be a number nobody measured. The last screen keeps holding -- nothing is taking the title's place, and a boot that ends by fading to black looks like a boot that crashed. flow.json reproduces an OBSERVATION and says so in its header: Q6 closed with a negative, the order is on the disc nowhere, a transition is a call with a name argument chosen by code. The intro video's place in the real boot is named as a gap rather than the order being quietly rewritten to hide it. |
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Sylpheed port agent
|
0d2bf1f241 |
export: reach the splash by authored entry index, and key names by entry
There were TWO splash screens and this port had neither. Entries 11/14 are the developer logos; entries 10/13 are the SQUARE ENIX publisher wordmark, the first thing the boot shows, which nothing in this project had noticed. They have no .rat layout child so `is_build` cannot see them, and the RE agent established that no CONTENT rule can either: design size fails (every extra composable bundle sampled is 1280x720, same as every screen) and element count fails (fragments run 2..15 elements in GP_OPTIONS/GP_SAVE_LOAD, the splash halves are 3 and 7 -- the ranges overlap). So `screen_builds` is `is_build` plus an authored allow-list of ENTRY INDICES, each carrying a `why` that says it is a locator and not a claim. An allow-list rather than a loosened predicate because this is safe in GP_TITLE and would not be in general: there, widening adds exactly four bundles and all four are real screens, zero fragments. screen_names.json is rekeyed from enumeration ordinal to pak entry. Widening renumbers ordinals, and a name that moves when the enumeration rule changes is not a name -- the file always called the entry the stronger locator, and it is now the only stable one. The two unnamed plates therefore renamed build_10/11 -> build_12/15; they were always locators, and now they locate the right thing. All 16 export and validate. |
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Sylpheed RE agent
|
9ca1eb50fd |
re(ui): answer four of the port's five asks -- splash, fade-out, focus, gamma
1 SPLASH ADDRESSING (was blocking P3). No content predicate exists: design size fails (every extra composable bundle sampled is 1280x720, like every screen) and element count fails (fragments run 2..15, the splash halves are 3 and 7). But GP_TITLE needs none -- `--all` adds exactly four bundles there and all four are real screens, with the --all index equal to the pak entry index 1:1. And there are TWO splash screens: 11/14 are the developer logos, 10/13 are the SQUARE ENIX publisher wordmark, which the port did not have and which the boot shows first. 2 FADE-OUT (was blocking P3). It is (a), and it is bigger than the fade quad. Every element ends on exactly ONE untimed keyframe, which rules out (b); that block is where the screen plays out -- quad to a=255, buttons/labels/glows to a=0, frames hold. (c) is refuted by a null test that discriminates: a black quad alone holds the button/background brightness ratio constant, and through the fade it falls 6.50 -> 1.94, 3.4x monotonic. 3 FOCUS (saves P5 rework). Over-vs-instead is unobservable -- the focused sprite covers the base at 100.0% of base-visible pixels on three pairs once aligned (true offset (7,7); the centre alignment reads a misleading 78-84%), and compositing both ways differs by RMSE 1.1 inside the button rect. The real defect is the focus record's SECOND element: ptbtn0Nf.rat declares ptbtneff01.t32 (a 42x46 glowing ring, focus only) plus the bright label, where the base declares one sprite. That ring is the marker the port draws nowhere. 5 GAMMA. The capture is not neutral: capture ~ 255*(render/255)^g, g ~ 1.34-1.49, and the chain says it is a ramp the GAME installed, not a capture artefact. So RMSE against captures has a floor. Reach stated: the flat patches are all dark (render ~0-60), so midtones and highlights are unconstrained. 4 ROTATION is a human's call and is recorded in MISSION, not acted on -- the port rotating while the reference renderer does not would make verify-screen report a large diff meaning "the port is right". The RE half is answered: rotation is about the declared pivot, measured against a GPU capture. The focus record's +20 element-count word is marked 🟡 not ✅ -- read on GP_TITLE's ten button records only; the disc-wide check is written and still running. |
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Sylpheed port agent
|
3588a0270d |
docs: record what the port needs from the RE agent, ranked by cost to the port
Five items, written down here rather than only in a message, because a request that lives in one conversation dies with the container. Two are blocking P3 (how to recognise the splash bundle, and what the ~0.4 s fade-out actually measures), one is cheap and prevents P5 rework (focus drawn over vs instead of the base -- the port picked replace without evidence, and the oracle says it picked wrong), one needs a joint decision rather than a unilateral one (whether the port should draw the newly-decoded rotation and thereby become deliberately more correct than the renderer it verifies against), and one calibrates whether RMSE against captures has a floor at all. |
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Sylpheed port agent
|
f6fccee11c |
deps: bump the pin to f817dd5 -- the menu screens get their background
WHAT I WANTED FROM IT:
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Sylpheed RE agent
|
9a0ca0d71f |
docs(method): time the disc mesh suite -- 22 minutes of silence is not a hang
Two runs were killed this session for looking stuck. Measured: 1 318 s serial, no output while it runs. Also records that `build-reborn test` forces --workspace and silently ignores a `-p`, so scoping needs the cargo passthrough (`build-reborn t -p <crate>`). |
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Sylpheed RE agent
|
f817dd5939 |
re(ui): the 60 nameless RATC children are frames, not children -- .tan decoded
Closes the reach caveat the `opt ` name fix left behind: 60 of 18 002 RATC children carry no `opt ` block, and it was not established whether they lack one or sit past our 128-byte window. Neither. They are not children. `examples/ratc_optless_children.rs` re-runs `ratc::parse`'s own guards over the disc and reports which one fired: all 60 are "tag beyond the window", none is rejected by length, gap or charset, none is child #0, and all 60 live in six bundles of one archive. Within a bundle the distances back to the nearest tag are an exact arithmetic progression, step 60 600 -- ten different records finding the SAME tag, because there is only one. Reading a bundle directly: children 1..10 are equal-size T8aD blocks under a single `opt ` name, `pb_f15_eg_anm.tan`. `.tan` is a FRAME SEQUENCE. One block declares the resource; its payload is a run of T8aD frames. Disc-wide, over all 18 718 `opt ` names in all 33 paks: a RATC bundle names exactly six kinds of resource -- `.t32` 14 756, `.rat` 3 311, `.prm` 367, `.tbm` 224, `.sbo` 54, `.tan` 6. Six `.tan`, ten frames each = 60, the entire population with nothing left over. The negative is closed, not narrowed. Consequence recorded but deliberately not fixed: `ratc::parse` over-reports there, listing a `.tan`'s frames as anonymous children. Nothing in the menu milestone reads a `.tan` -- it occurs only in GP_READY_ROOM, which S1 ruled out -- so no screen the port draws changes. Also a METHOD entry for this container OOM-killing `slb_leading_segment_disc` under default test parallelism (SIGKILL, no assertion; 8/8 pass with --test-threads=1). |
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Sylpheed RE agent
|
56cc7acfc3 |
re(ui): a RATC child's name is stated, not inferred -- and it was hiding every menu background
`ratc::parse` named each child by scanning backwards for the last printable run of bytes before its magic. The format states the name explicitly instead, in an `opt ` block: `"opt " | BE32 len | name | NUL | 3 bytes | magic` -- the same block `ui_layout::opt_link` already read for a button's focus link. The scan agrees with it 17 918 times out of 17 942 and is wrong 24 times, every one the same failure: the 3 trailing payload bytes are themselves printable and beat the real name. For `pteff05.t32` those bytes are `38 41 58` = `8AX`, so the full-resolution background of all five menu screens registered under a name no element declares, resolved to no sprite, and `compose` dropped it through an early `continue` that -- unlike the two arms above it -- records nothing. The screen lost its background and `screen render` still reported "all resolved". `8AX` was never a name. Docs that treated it as one are corrected here. Disc-wide, and the control is the 17 918 the scan already got right: the `opt ` reading reproduces every one of them. Effect on the five screens is the signature of the same art at twice the resolution -- mean brightness unmoved, high-frequency detail x1.15..x1.30 -- which is what the separately-measured `ui-8ax-fullres-background` result said the game draws. Also closes a long-standing dangling reference: `pmbase.t32`, recorded as "on the disc nowhere", is the `GP_STAGE_CLEAR` child the scan called `8AX`. RATC sibling references now resolve 10 148 of 10 148. Verified: 114/114 sylpheed-formats unit tests (including two new ones pinning the `8AX` case byte for byte and the no-block fallback), and every disc-gated integration suite in sylpheed-formats/sylpheed-cli. |
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Sylpheed port agent
|
4a5fa7f1cb |
merge main: container and push-work fixes
Bringing the infrastructure fixes from main onto this branch so the two do not
drift. main touched docker/{entrypoint.sh,sylph-port,bin/push-work} and
docs/loop-task.md; this branch's only docker/ change is bin/build-reference-cli,
so there is no overlap and nothing to reconcile by hand.
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Sylpheed RE agent
|
49f109deb1 |
agent: the loop must never stop itself
A run ended with a clean exit 0 while the display title read "Loop interval optimization", leaving four files uncommitted in the tree. Nothing crashed -- the loop was ended, and ending the loop ends the run: the container exits and there is no next iteration. The prompt said the agent did not NEED to arm a wakeup. It never said not to stop one, and an agent that reads about a pacing control will reasonably try to use it. Now explicit: do not call ScheduleWakeup at all, and if the cadence is wrong, say so and leave it to a human -- the interval is set outside the prompt. Recorded with the date and the symptom, because "the container exited cleanly" looks like a finished job rather than a self-inflicted stop. |
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Sylpheed RE agent
|
7a4e4333f4 |
docs: withdraw yesterday's "paint order is a sequence" -- wrong source
Last iteration I claimed the splash's measured_paint_order [0,2,4,6,1,3,5]
records, between its glow and logo halves, the temporal order they were
seen in rather than depth -- because the halves never share a frame.
The no-overlap measurement is right (glows f94-115, logos f116-211). The
inference is wrong, on two independent grounds:
* Wrong source. That vector is not a read of the draw capture. It is a
read of the live screen object's CHILD ARRAY -- ui-screen-runtime.md
records it literally as "paint order (child slots)". A child list has
a definite order whether or not its children are ever drawn together,
so co-occurrence does not bear on it. The capture was the CHECK.
* The order is in the file anyway. paint_order_audit on GP_TITLE entry
11: derived == measured, 0 inverted pairs, 0 same-layer-key ties. The
glows and logos carry distinct T8aD keys (0xa100 < 0xa110), so the
file orders the halves statically, no capture involved.
I asked the question that started this iteration -- do the title and menu
orders have the same problem -- and the answer is that none of the three
does, for the same reason.
What survives is narrower and now recorded with numbers: how much of each
order its capture actually cross-checks. The title capture is stable (8
draws / 12 quads / 5 textures, identical in all five captured frames
across two logs) and confirms 7 of 24 positions; the menu capture is not
(texture 0x11C30000 present in frame 0, gone by frame 3); the splash
capture cannot cross-check its middle at all.
A counting trap worth the tool: count QUADS, not draws. The menu's draw 9
is indices=24 -- six quads batched from one texture. Counting draws reads
9 where 16 are on screen, and an earlier pass of this analysis briefly
"found" three quads for six declarations that way and concluded elements
were missing. They were batched.
METHOD: check what a "measured" value was measured FROM before reasoning
about its limits. The co-occurrence rule is real, and it is specific to
orders read from draw captures.
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Sylpheed RE agent
|
2532c056be |
docs: the splash .prm measured -- and its paint order is a sequence, not depth
ui-prm-primitives recorded that where a .prm paints on a screen without a measured order is unsolved. For the developer splash it is now measured. Every frame opens with two full-screen draws before any sprite. The second is untextured in all 212 frames with a constant vertex colour of FF000000 -- opaque black -- matching palogo_eff0.prm's declaration exactly: kind 0x10, pivot (640,360) -> 1280x720, one keyframe, a = 255. So the splash backdrop is an opaque black full-screen quad from the bundle itself, painted behind every sprite, which is why a splash render needs --black rather than the default backdrop. Not a general rule, and said so: the measured main-menu order puts pteff02.prm at position 4 and pteff00.prm LAST, the latter being the screen-transition fade. And a correction to an existing row. measured_paint_order returns [0, 2, 4, 6, 1, 3, 5] for the splash, described as "the .prm, then all three glows, then the three logos". But the glows and the logos never appear in the same frame -- 0 overlapping frames in 235 -- and two elements that never co-occur have no observable relative depth. Between those halves the vector records the order they were SEEN IN, not a front-to-back relationship. That does not make the render wrong, and element 0 is a real depth observation since the .prm co-occurs with everything. But the type of the claim matters: reading the vector as depth invites compositing all seven elements at once, which is exactly what does not reproduce the screen. METHOD: two things that never co-occur have no observable relative order; when recording an order, note which pairs actually appeared together. |
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Sylpheed RE agent
|
7988f52ce7 |
re(ui): deliver the measured splash sequence the port has to author
The activation decision is code, and MISSION already says the port authors the sequence -- so the useful move is to hand over the sequence measured rather than chase the code. From the 235-frame draw capture, at 1 frame = 1/30 s (2 units/frame, 1 unit = 1/60 s, both settled in Q1): publisher: SQUARE ENIX logo f1-90 90 frames 3.00 s+ at 0.00 (gap, nothing drawn) f91-93 3 frames 0.10 s at 3.00 developer: both glows f94-115 22 frames 0.73 s at 3.10 developer: both logos f116-211 96 frames 3.20 s at 3.83 Three limits, stated with the numbers rather than after them. The capture opens with palogo_sqex already at a=255, so the publisher phase began before the window and 3.00 s is a FLOOR -- every "starts at" is relative to the capture, not to boot. palogo_anima and palogo_anima_eff get 0 draws in all 214 frames, so a third pair's phase is not in this measurement. And it is one capture, one run: the glow->logo switch being a single frame boundary with no overlap is a strong shape, but each duration is one sample. What is solid is the part that matters: the 0.73 s and 3.20 s phases are each within 2% of their element's declared span, so the durations are the bundle's own and only the ordering is authored. That is the difference between a port transcribing timing and inventing it. |
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Sylpheed RE agent
|
7156591654 |
re(ui): re-establish selective activation by killing the alternative statically
Last iteration I withdrew "a bundle is a palette" because the evidence did not choose between selective activation within one bundle and two compositions shown in sequence. The alternative can be killed from the disc, which I had not tried. Hypothesis 2 needs a bundle declaring the GLOWS WITHOUT THE LOGOS. There is none. Every GP_TITLE entry carrying palogo elements: 10, 13 (publisher twins) palogo_eff0.prm, palogo_sqex, palogo_sqex_eff 11, 14 (developer twins) palogo_eff0.prm + all three logos + all three glows Four entries, and each developer entry declares the complete set of six. So whichever bundle was active across frames 94-211 -- entry 11, entry 14, or both in turn -- it declared the logos and the glows, while the game drew two sprites at a time in disjoint phases. Therefore only a subset of a bundle's elements is drawn at any moment, whatever the bundle-loading story is. The conclusion no longer depends on resolving how many bundles are involved, which is why the texture-base test's failure stopped mattering. So the claim is reinstated -- this time by eliminating the alternative rather than by assuming it away. What worked was not a better capture but asking what the competing hypothesis would REQUIRE on the disc and finding it absent. METHOD: a hypothesis that predicts an artefact can be killed by looking for the artefact, which is often far cheaper than measuring the behaviour. |
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Sylpheed RE agent
|
2a086051b3 |
re(ui): withdraw the mechanism -- "palette" was an explanation, not a finding
Last iteration I wrote that a bundle is a palette whose elements are
selectively activated. The disjoint glow/logo phases have two
explanations and I asserted one:
1. one bundle, some elements run then others;
2. two bundle-loads shown in sequence (entries 11 and 14 are twins
declaring identical sprites).
The draw log's tex[base=...] looked like it would separate them. It does
not, and the control is in the same table:
publisher splash f1-90 0x11C30000, 0x10000000
glows f94-115 0x11C30000, 0x10000000
logos f116-211 0x11C30000, 0x10000000
The publisher splash is certainly a DIFFERENT bundle from the developer
splash, and it uses the same base. So 0x11C30000 is a reused upload slot,
not a bundle identity, and the test cannot choose between the two
hypotheses.
Survives: a bundle's declared elements are not what gets drawn.
palogo_anima and palogo_gamearts carry byte-identical keyframe times and
in the same run one is drawn 95 frames and the other none -- and
whichever twin was active declares both. The phases are strictly disjoint
(0 overlapping frames in 235).
Withdrawn: the mechanism. The practical consequence is unchanged --
compositing every element of a bundle does not reproduce what the game
shows over time -- but the why is not established and I stated it as
though it were.
What would separate them: a per-draw capture recording the bundle each
draw came from, or a file-IO log showing whether a second RATC entry is
read between frames 115 and 116.
METHOD: a shared resource address does not identify the resource's owner;
and state the mechanism as a separate claim from the observation, or the
weaker one inherits the stronger one's evidence.
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Sylpheed RE agent
|
baed44a9ea |
re(ui): the sequencing survives refutation -- and a bundle is a palette
Two checks on last iteration's "sequential, not simultaneous" reading. First, the phases really are disjoint. If glows and logos ever shared a frame the claim would be wrong. Across all 235 captured frames the count of frames containing both is ZERO, and the switch is a single clean boundary -- f110-115 draw 1280x720 + 262x108 + 525x90, f116 onward 1280x720 + 243x86 + 499x72. Two sprites either side, no transition frame. Second, and larger: a third of the bundle is never drawn. Entry 11 declares three logo/glow pairs and only two appear. palogo_gamearts / _eff 95 / 22 frames palogo_seta / _eff 95 / 22 frames palogo_anima / _eff never palogo_anima declares the SAME keyframe times as palogo_gamearts. Two elements with byte-identical data, 95 frames and 0 frames in one run. Reach: the capture covers frames 1-214, so this is "never in the window". So a bundle is a palette, not a script. Its elements say what to draw and for how long; which of them run, and when each starts, is decided outside the placement data. That is the same conclusion the boot-order work reached from the other end -- the driver is code, not data -- now with a per-element measurement behind it. For the port, concretely: compositing every element of a bundle does not reproduce what the game shows over time. It is the right thing for a static screen that settles, and it is not a timeline. METHOD: two elements with identical data and different outcomes is the strongest possible evidence that the decision is elsewhere. |
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Sylpheed RE agent
|
7fb6bdfad8 |
re(ui): a group's duration is in the data, its start time is not
Tested whether the splash timeline, played, reproduces the capture -- the last gap in the animation model. Half of it does. Durations match. At 2 units/frame under the shifted reading, from the 235-frame draw capture of the developer splash: glows drawn f94-115 (22 frames = 44 units) declared ~0..45 = 45 97.8% logos drawn f116-211 (96 frames = 192 units) declared 15..210 = 195 98.5% Each element is on screen for its declared span to within 2%. Starts do not. Every glow declares the same times 15,30,45 and every logo the same 15,30,190,194,206,210, so on one clock they would overlap almost entirely -- and they do not overlap at all. The glows run 94-115 and the logos 116-211, strictly sequential, the logos starting the frame after the glows end. Fitting one origin needs f0 ~ 93.5 for gamearts_eff and ~103 for gamearts, about 19 units apart, and aligning one throws the other off by ~9 frames at both ends. The obvious candidate is refuted. parse_placements reads each group header as (element index, keyframe count) plus one undecoded LEAD-IN WORD -- exactly where a per-group start offset would live. It is 0x00000000 for all seven elements, glows and logos alike. Reach: not the keyframe times (identical within each family), not that word (zero), not declaration order (which interleaves logos and glows where the observed sequencing groups them), not the RATC child order. What remains is that the sequencing is code-driven, which agrees with what the boot-order work concluded independently. For the port: a group says how long an element animates and what it does, not when it starts relative to its neighbours. The observed order on the developer splash -- both glows, then both logos -- is measured for one screen, not a decoded rule, so the sequencing has to be authored. METHOD: when a model reproduces durations but not positions, the missing piece is an origin, not a rate. |
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Sylpheed RE agent
|
1f2b469f7e |
re(ui): a static composite is only meaningful for a screen that settles
The model's sharpest prediction, tested with its control. The draw log says that on the developer splash the _eff glows are drawn on frames 94-115 and the logos on 116-211, so at the moment the reference capture was taken EVERY glow is already finished -- including the two that have plateaus and which rest_plateau therefore renders visible. Suppressing them should help on the splashes and hurt where a screen genuinely settles. publisher splash +0.9604 -> +0.9982 +0.0377 developer splash +0.9659 -> +0.9980 +0.0321 title (control) +0.9500 -> +0.9480 -0.0020 main menu(control) +0.9460 -> +0.8544 -0.0916 EXTRAS (control) +0.9440 -> +0.8370 -0.1070 Both splashes jump to about 0.998; all three persistent screens get worse. The control is what makes this a finding rather than a coincidence: the same edit helps exactly where the model says it should and hurts exactly where it says it should not. So rest_plateau is not over-drawing in general -- it over-draws on TRANSIENT screens. A plateau mid-animation means the element is held at that point in the timeline, not that it is on screen once the screen has settled. Where a screen settles, the held pose IS the settled pose and the rule is measurably right. And that answers the question left open several iterations ago -- what "rest" means for a transient element. It does not mean anything: the splashes never rest. A static composite of them can match a chosen frame, and about 0.998 is what these captures' frame is worth, but the format does not answer a question the screen never poses. For the port: play the timeline for the two splashes, which the settled keyframe timing now supports, and composite statically for title, main menu and EXTRAS. METHOD: an edit that improves one set of cases is only interesting once you have shown it damages the cases where it should. |
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Sylpheed RE agent
|
458585d136 |
re(ui): the structural case for last -- 2 293 of 2 305, checked disc-wide
The weakness in the rest-rule finding was that `last` had been SCORED on only two elements. It cannot be scored on more -- only two ambiguous elements sit on a screen with a live capture -- but the entry -> hold -> exit model makes a prediction that can be checked on all 2 305: what does each element's FINAL keyframe look like? final keyframe invisible (a = 0) 1 618 transient: gone at rest final keyframe visible, at max alpha 675 faded in and stopped final keyframe visible, BELOW max alpha 12 genuinely unclear Of the 687 that end visible, 472 have monotonically non-decreasing alpha -- a plain fade-in that stops, [0, 255] over two keyframes in the commonest case (pjex_eff.rat, pghud_speed_cut.t32) -- and another 203 end at their maximum after dipping. So `last` is structurally defensible for 2 293 of 2 305 (99.5 %), against a dwell rule that returns a mid-movement frame by construction. Observed correct for 2, structural for 675, model-consistent for 1 618, unclear for 12. The assumption carrying the 1 618 is stated rather than buried: that a plateau-less element's animation has finished by the time the screen is settled. The draw log establishes exactly this for the two splash glows (drawn frames 94-115, logos 116-211) and establishes nothing for the rest. Default still unchanged. The case is now observational, structural and model-based rather than two data points, but it would move 1 896 elements and the decision belongs with whoever owns the renderer. |
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Sylpheed RE agent
|
4012d5b555 |
re(ui): why rest_plateau is right -- and last is right only for a transient
The shifted keyframe-time reading looked like it implied something simple: the final pose is reached at a definite time and nothing follows, so rest should just be the last keyframe and the plateau heuristic could go. Tested by applying it to EVERY element: title +0.9500 -> +0.6819 -0.2681 main menu +0.9460 -> +0.6416 -0.3044 EXTRAS +0.9440 -> +0.5745 -0.3695 publisher splash +0.9600 -> blank (zero variance, corr undefined) developer splash +0.9643 -> blank Refuted, and the failure supplies the model. A group is entry -> hold -> exit, and the exit is the screen's DISMISSAL. While a screen is displayed it has not reached its last keyframe; it is sitting at the hold. So rest_plateau is the correct primary rule, and the last keyframe is the post-exit state -- correct only once the screen is gone, which is why applying it everywhere blanks the splashes. This does not contradict the shifted reading. That reading says when each pose is reached; it says nothing about the group being played to completion while the screen is still up. The step between them was mine. And it explains why last wins for the two plateau-less elements: an element with no hold is a transient, it flashes and is over, and at any settled moment it is gone -- which is its last keyframe. The draw capture says the same independently: on the developer splash the _eff glows draw on frames 94-115 and the logos on 116-211, so the glows are already finished when the logos are up. Three independent observables -- animation timing, static composites, and the per-frame draw log -- now agree on one rule: plateau where there is one, last keyframe where there is not. METHOD: a blank render is a NaN correlation, not a low score, and that NaN was the strongest form of the result; and when a model predicts something the measurement refuses, suspect the step you supplied between them. |
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Sylpheed RE agent
|
515456c59a |
re(ui): quantify what changing the rest rule would do disc-wide
The open question was whether "last keyframe" holds beyond the two
elements I could score against a capture. It cannot be scored disc-wide --
only two ambiguous elements sit on a screen with a live capture -- but the
blast radius can be measured, and it argues the same way.
genuinely ambiguous elements 2 305
the two rules AGREE on 409 (17.7 %)
they DIFFER on 1 896 (82.3 %)
dwell (current): invisible pose 1 711 (74.2 %), zero-scale 195 (8.5 %)
last : invisible pose 1 618 (70.2 %), zero-scale 43 (1.9 %)
Two things follow. It is not a marginal choice: the rules disagree on 82%
of the affected elements, so "either is fine" is not available. And the
current rule produces 4.5x more degenerate poses -- a zero-scale pose is
collapsed to nothing, i.e. an element's PRE-ROLL before it has grown in,
which is definitionally not a rest. 195 elements currently rest at a frame
they are only passing through, against 43 under last.
That is an argument from the data's own structure rather than from the two
captures, and it points the same direction.
Kept honest: it is indirect. Fewer degenerate results is not the same as
more correct results, and last still returns an invisible pose 70% of the
time -- right for a transient element, wrong for a persistent one. The
default stays put; the numbers are in HANDOFF for whoever decides.
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Sylpheed RE agent
|
93e9b185ea |
re(ui): the rest fallback fires on 2 elements, and "last keyframe" wins there
Scored candidate rest-pose rules by rendering and correlating instead of
arguing, and both results correct something I had published.
First, the exposure. The guessing fallback is reached only by an element
that is plateau-less AND multi-keyframe -- a single-keyframe element
short-circuits at `match len { 1 => first }`. Per screen:
title (4) 24 elements 2 plateau-less 0 reach the fallback
main menu (5) 16 5 0
EXTRAS (6) 18 5 0
publisher splash (10) 3 2 1
developer splash (11) 7 2 1
So on the three screens the port cares most about, rest() never guesses.
That is why three different rules render builds 4/5/6 to identical
correlations -- the code is unreachable there, which I nearly read as
"the choice does not matter".
Second, where it does fire, the last keyframe is markedly better:
publisher splash dwell +0.9600 last +0.9982 maxalpha +0.9600
developer splash dwell +0.9643 last +0.9758 maxalpha +0.9643
That refutes my own earlier refutation. I had killed the last-keyframe
rule by arguing it makes palogo_anima_eff invisible while its two
siblings stay lit, which looked like an artefact. The capture says
otherwise: making it invisible is what improves the match. The sibling
symmetry was my expectation, not evidence.
Caveat kept in front: both captures are single frames of a transient
animation, so this fixes which pose matches THOSE frames, not which is
canonically at rest. Default unchanged -- better on both screens where it
fires and identical on the other three, but it would move 2 305 elements
disc-wide on two measurements. Reachable via SYLPHEED_REST_RULE=last.
Also confirmed: all 195 zero-scale rest poses are inside the corrected
2 305 ambiguous population; none is a single-keyframe element.
METHOD: score a rule where it can differ, or you measure nothing; and an
argument from symmetry is a prediction, not a refutation.
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Sylpheed RE agent
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0265da31a1 |
re(ui): refute my own fix for rest(), and correct the defect rate by 65%
Two corrections from one experiment.
A keyframe group is entry -> hold -> exit, and the exit ends invisible:
on the five port screens the final keyframe is invisible for 21/24
(title), 8/16 (main menu), 12/18 (EXTRAS), 2/3 and 6/7 (splashes). So the
screen as seen is the HOLD, which is why rest_plateau is the right
primary rule and why "rest = last keyframe" would empty every screen.
That suggested a fix: an element with no hold has no representative pose,
so draw nothing rather than guess an endpoint. Tested through compose's
visible mask and correlated against the live captures:
title +0.9500 -> +0.6839 -0.2661
main menu +0.9460 -> +0.9037 -0.0423
EXTRAS +0.9440 -> +0.9094 -0.0346
Refuted on all three, and the reason invalidates a number I published. An
element with a SINGLE keyframe has no adjacent pair, so the plateau test
marks it plateau-less -- but its one pose is unambiguously its rest.
Suppressing those removes backgrounds and full-screen layers, which is
the title's -0.27.
no plateau (as published) 3 807 (24.57 %)
... single-keyframe 1 502 trivially at rest, not a guess
genuinely ambiguous 2 305 (14.88 %)
So rest() guesses for 2 305 elements, not 3 807 -- the figure I gave the
port overstated the defect by 65%. Corrected in HANDOFF and the page.
METHOD: a predicate over adjacent PAIRS silently misclassifies a
one-element list; and acting on a claim is a better test of it than
re-reading it -- this flaw survived a census, a write-up and a handoff
row, and died the moment the rule was used to change a rendering.
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Sylpheed RE agent
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60285a6ead |
re(ui): replicate the keyframe-time shift -- three elements, two screens
The case for reading +36 as "the time the NEXT pose is reached" rested on one element's fade-out shape, then on one element's hold duration. Both splash halves supply more, and they agree. element screen observed hold as decoded shifted palogo_gamearts developer splash 83 f 8 f 80 f palogo_seta developer splash 83 f 6 f 80 f palogo_sqex publisher splash >=77 f * 6 f 102 f * the capture opens mid-hold at frame 1, so 77 is a floor. The readings predict opposite structures. For palogo_gamearts, as decoded: hold 8f, in 80f, hold 2f, out 6f, out 2f -- an eighty-frame FADE-IN and a two-frame hold. Shifted: in 8f, hold 80f, out 2f, out 6f, out 2f. The capture shows an 83-frame hold and no fade-in at all. The elements that cannot discriminate are not contradicted: palogo_gamearts_eff observed in 7f / hold 7f / out 8f, and both readings give 8f phases -- with four blocks the shift only relabels which phase is which. So the glows, which is where Q1's linear law was measured, say nothing either way rather than arguing against. The decoder's default is still unchanged, and the reason is now articulated rather than assumed. The single thing opposing the shift is rest() on ptlogo_eff3, where the shifted reading makes the longest-dwell fallback return the bloom's 200% peak. That fallback is unsound whenever it runs -- it returns an endpoint of a movement, neither of which is held -- and checked: the shift does not fix it either. So the objection was never evidence about the times. Timing had three discriminating measurements; pose selection had a heuristic guessing. For the port: animation timing should use the shift; static composites are unaffected and the five screens' correlations stand. Classified measured, not decoded -- three elements in one screen family, not a disc-wide check. |
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Sylpheed RE agent
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fb6376a548 |
docs: one page saying how good the five screens actually are
The answers for the port's five screens were spread across a dozen documents and none of them said how good the result IS. Measured: screen build drawn corr vs capture alignment title 4 15/24 +0.9500 dy=0 dx=0 main menu 5 11/16 +0.9460 dy=0 dx=0 EXTRAS 6 13/18 +0.9440 dy=0 dx=0 publisher splash 10 2/3 +0.9600 dy=0 dx=0 developer splash 11 6/7 +0.9643 dy=0 dx=0 Every one aligns at exactly zero offset over a +/-2 px search in both axes, so placement and scale are right and the residual is tone and detail rather than geometry. The drawn/total counts are not slack. Each undrawn element has a reason already documented: kind & 0x4 ghost instances (4 on the title), .prm primitives off by default (2 per menu, 1 per splash), loop* animations off by default and off-screen at rest (2 per menu screen), and the 8AX name mismatch (1 per menu screen) whose art reaches the screen anyway via ptbase. 4+2+2+1 = 9, 2+2+1 = 5, 1. Nothing unexplained. The residual is ranked for a consumer: tone first (gamma 1.34-1.49, the game's own display ramp), then 8AX resolution, then one drawable paint-order tie on EXTRAS alone, then rotation-decoded-but-not-rendered which does not affect these five at rest. Reach stated: these are static composites at the resting pose against single frames, so nothing here speaks to animation, and a whole-frame correlation is a sanity figure rather than a per-element check. |
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Sylpheed RE agent
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0efd692b4c |
docs: the suite is heavy, not hung -- correcting my own "cannot terminate"
Last iteration I wrote that build-reborn test cannot finish in a working session, from having watched it run 3h26m. That was the stronger claim and I made it without measuring the work. Timing `mesh info` on each of the 166 .xpr containers with a 25 s cap: files scanned 166 exceeding 25 s 19 Hangar, 17 Stage_*, ptc_pack Stage_S02 to completion 144 s, rc = 0 Nothing hangs. Nineteen heavy containers at roughly two minutes each is about 45-60 minutes for one pass, before the 147 fast ones. The 3h26m observed was that hour of work running at a load average of 9-14 -- inflated by the two duplicate runs I had left going, which did not merely coexist with the slowness but multiplied it. The practical conclusion is unchanged and only the wording softens: an hour-scale suite is not an iteration-scale gate, and every "green" I reported from it this session was partial. But an hour-scale gate can be run deliberately, whereas a hung one cannot be run at all, so the distinction is worth having right. File list committed as reference data so the cost is attributable without re-scanning. METHOD: a slow thing observed under contention looks like a stuck thing; measure the work before choosing between "cannot finish" and "takes an hour". |
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Sylpheed RE agent
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145046f88f |
docs: the verification gate cannot terminate, and I left two runs going 4h
Two findings from checking whether last iteration's partial green had finished. It had not, and the reason matters for anyone using the gate. build-reborn test contains twin_pairs_do_not_share_a_buffer, which decodes every .xpr in hidden/resource3d -- 166 files, 1.4 GB -- through the full Xbg7Model anchoring path, and is NOT #[ignore]d. Its sibling in the same file walks the same 166 files and IS ignored as known-failing, which makes the binary's cost easy to underestimate. Measured: one instance accumulated 3h26m of CPU at 89% without finishing. So every "green run" reported in this corpus from a workspace or sylpheed-formats test is necessarily PARTIAL unless it says the suite terminated -- including the ones I reported this session. The honest form is the suite count and elapsed state, not the word "green". Not proposing to #[ignore] or subsample it: that changes what the suite asserts and is the project's call, not an audit side-effect. And the mess is mine. Two cargo test -p sylpheed-formats runs launched detached in earlier iterations never exited, because they were sitting in that test: pid 103375 4h12m elapsed child mesh_consistency_disc 3h26m CPU 89.3% pid 99965 4h39m elapsed child pak_idxd_disc 1h16m CPU 93.8% Load average 14.18 on 12 cores. Killed, after checking the legitimately running workspace suite and leaving it alone; load fell to 9.68. What this does NOT explain, because it is tempting: the session's emulator troubles. screenshot cost 0.49 s with both runaways live and the emulator stopped, against 10.8 s measured earlier with the emulator running. The 92x figure really was emulator contention; the runaways were a background tax on top. The black surface and the unreachable title stand as measured, with their own controls. METHOD: a detached job you never check can outlive many iterations -- setsid was added so a timeout could not kill them, which also means nothing does; and know whether your verification gate can terminate. |
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Sylpheed RE agent
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6d9214fd07 |
docs: check that the docs' headline figures match their committed data
Nothing had ever verified that a number written in prose matches the reference data file committed beside it. The figure is written once from a run; the prose is edited around it afterwards and the data file is regenerated independently, so drift is silent. All 19 headline figures across four censuses -- the eff-bit census, the plateau census, the top-level rotation census and the eff-bit alpha test -- currently agree with their data files. The checker had to be numeric, and the first attempt is the reason it is a script rather than a grep: comparing strings reported almost every figure as a mismatch, because the data files write 14709 where the docs write "14 709" with a thin space, and the docs round 33.66 to 33.7. A consistency check that fails on formatting trains you to ignore it, so the tolerance is explicit: exact against the data, within 0.05 against the doc to allow rounding. Also ran the full disc-gated workspace suite (build-reborn test, which wires SYLPHEED_DISC -- without it the disc tests self-skip and green means almost nothing), covering this session's three decoder changes: rotation_deg on Keyframe, the scale-0 fix in blit/fill_quad, and the flags field on T8adImage. 122 passed / 0 failed across the four suites that had completed; the long disc-gated integration tests (records_roundtrip_disc, first_header_word_is_record0_hash) were still running and are not counted here. |
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Sylpheed RE agent
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714a26769d |
re(ui): premultiplied alpha refuted for bit 0x02; parking the field
A per-sprite premultiplied-vs-straight-alpha flag would matter a lot to a port and has a sharp static signature: premultiplied means RGB <= A everywhere. Over the 170 decoded GP_TITLE textures that pair to a flag word: bit SET n= 61 mean %(RGB>A) 55.52 median 52.52 bit clear n=109 mean %(RGB>A) 33.66 median 30.17 Premultiplied requires ~0% for the flagged group. Both groups are far from it and the flagged group violates MORE -- the opposite of the hypothesis. Refuted. What remains is a weak association: flagged sprites carry more bright-RGB/low-alpha pixels, which is what glow art looks like. But the best single threshold classifies 76.5% against a 64.1% base rate -- a 12-point lift with badly overlapping distributions. A tendency, not a rule, and reported with its base rate so it cannot read as more. Noted for whoever returns: "0x02 selects an additive blend" was refuted by blending those sprites additively and finding every measure worse against the capture -- but that ran through a title render since fixed twice (rest_plateau, and the 8AX background the composer drops). The refutation may well stand; it was measured through a renderer with known other errors, so it is worth one re-run if blit ever gains additive blending. Parking the field. Four candidate meanings are dead -- additive blend, eff name in both directions, transient element, premultiplied alpha -- none produced a positive account, and the bit blocks nothing: the port's screens composite at 0.947 correlation against a capture without it. The negative space and the sound attribution method (child order, not size) are written down so a later attempt starts here. METHOD: report a classifier's lift over its base rate; and park a field after N failed hypotheses, saying what was eliminated. |