Sylpheed port agent 2ad839460c port: P6 -- the menu has sound, and the BGM I "chose" was decoded all along
The three Static.slb cues and the menu bed now export to Ogg Vorbis and play.
`sylpheed_formats::media` does the assembly; nothing in port/ has heard of XMA.

Three things this milestone got wrong before it got right, all recorded in
docs/port/DECISIONS.md because the corrections are the useful part:

1. The cue offsets were a Rust `const` in the exporter. They are MEASURED, not
   decoded -- a measured value compiled into the exporter is a measurement
   wearing the costume of a decoded field, and nobody deletes it because nobody
   can see it. They are authored/audio.json now.

2. I picked BGM_001 and wrote a careful `why` calling the choice arbitrary. The
   menu's music is BGM_103, and it is in HANDOFF at 9ca1eb5 -- the exact commit
   BLOCKED.md says that row was reconciled against. Not stale: wrong when
   written. I had summarised a negative without its reach, so "the TABLES cannot
   say which BGM a screen plays" became "it is not on the disc". One word of
   scope was the whole answer, and the export failed only because BGM_001
   without its .slb extension hashes to nothing. That is luck, not design.

3. The comment above the BGM sum argued for unity gain "because halving is a mix
   decision nobody made". It clipped at +1.8 dBFS. 1/n is the smallest constant
   that provably cannot clip -- the same reasoning video.rs already carried for
   its 5.1 downmix, in this repository, unread.

Unsettled and shipped as such: media::sound_bank_riffs returns THREE sub-waves
for BGM_103.slb where HANDOFF Q10's census says exactly two (the third is the
leading headerless region slb.rs emits for the voice path). The exporter sums all
three and writes a manifest warning, because which bytes belong together is the
decoders' question, not this exporter's -- and dropping one would destroy the
evidence, since a corrected export looks exactly like a correct one. Raised with
the Decoder; row in BLOCKED.md.

The gate is a null control, not a peak reading. A master-bus WAV that is
non-silent proves nothing -- the bed alone would look identical. So the same
scripted walk was run with <- in place of <v>, which fires no cue (Q5, measured),
and the difference is one 0.55 s burst at t=1.10 s and silence everywhere else.
The first attempt at that control returned bit-identical zero and I nearly filed
it as "cues never reach the bus": both runs ended at 1.115 s and the first press
lands at 1.17 s. A null result from an instrument that was not running is not a
null result.

Refutation attempt: HANDOFF Q8's three cue durations. They looked attackable --
0.133/0.172/0.169 s per packet, no shared rate -- but an XMA1 packet carries a
variable number of 512-sample frames, and the three come to 50.0/32.3/95.3
frames. Measured off the decoded Ogg: 0.533, 0.344, 1.016 s, every published
digit. SURVIVES, with its reach stated -- it confirms the assembly path and my
transcription, not the event bindings, which only an oracle can retake.

Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01WM5XL4HfrHuxz8RiMWdCMC
2026-08-29 12:29:13 +00:00

Sylpheed

A clean-room reverse engineering and port project for Project Sylpheed: Arc of Deception (Xbox 360, 2007).

Three things live here, in one repository so that a change spanning them lands as one commit:

The decoders crates/sylpheed-formats — the disc's formats, read and verified disc-wide
The port port/ — a Godot 4 project, plus crates/sylpheed-export which converts a disc into the open asset tree it reads
The corpus docs/re/ — what has been reverse engineered, with its evidence, its retractions and its dead ends

You need your own copy of the game. No game content is in this repository and none ever will be. The exporter reads the disc you supply.

The oracle is the real game

sylpheed-cli and the Explorer are tools for verifying our decoding. They are hypotheses under test and they have been wrong. When something must be checked against the truth, the truth is the game running in Xenia Canary, captured — not any renderer of ours.

This is stated first because getting it backwards is the most expensive mistake this project has made.

Layout

crates/
  sylpheed-formats/   the decoders. Disc-wide verified; the corpus is its spec
  sylpheed-cli/       headless tools -- render a screen, dump a table, probe audio
  sylpheed-viewer/    the Explorer: a human's window onto the disc. STATIC data only
  sylpheed-export/    disc -> the open, moddable asset tree
port/                 the Godot 4 project. Reads open formats ONLY
authored/             decisions that are NOT on the disc, each with its reason
data/
  base/               generated by the exporter. Gitignored, never hand-edited
  mods/               drop-in overrides. Yours
docs/
  re/                 the corpus: findings, refutations, method traps
  game/               how the game is navigated -- menus, modals, flight
  port/               the port's mission, its handoff contract, modding rules
  agents/             how the agent team works together
tools/                capture harnesses, probes, the share tool
exchange/             transient inter-agent files. NOT in git
docker/               the agent containers

Where to start

Xenia Canary is a separate repository: it is a fork tracking upstream, and it carries our instrumentation.

Conventions

Confidence is per claim, never per document: CONFIRMED · 🟡 PROBABLE · HYPOTHESIS · REFUTED. A withdrawn result is kept with its reasoning rather than deleted — that is why the numbers here can be trusted.

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