fill_quad composites an untextured primitive as a solid rectangle of the
keyframes fade colour, pivot x 2 in size, placed and scaled exactly as a sprite
is. Behind ComposeOptions::include_primitives and screen render --primitives.
On the title screen, whose paint order is ground truth, it is measurably right:
mean luminance 76.30 -> 63.72 against the captures 64.58, i.e. from +18% to
-1.3%, and mean absolute difference 16.07 -> 13.08. The background was ~40% too
bright; pteff02.prm, a 25% black dim, was what was missing. The wordmark is not
dimmed by it because the measured order paints that quad at slot 4, beneath the
logo. Edge correlation moves 0.9538 -> 0.9480, which is not informative here: a
uniform dim scales gradients uniformly so a normalised edge score barely sees it.
OFF BY DEFAULT, and that is the finding. A primitive has no T8aD header, so no
layer key, and derived_paint_order sorts the keyless to the end. GP_DIALOGs
pzeff00.prm is a single keyframe of opaque black at full screen; painted last it
wipes the build. Of the 125 builds that draw a visible primitive, 36 come out
>99% one colour with the derived order.
No constant default works, because the two screens read off the running game
disagree: the splash paints its primitive FIRST (the black backdrop) while the
title paints one at slot 4 and another LAST (the fade-out). Declaration order
fails the title too. A disc test measures the damage rather than asserting the
feature works, so the number moves when the ordering is solved.
Also records a false alarm worth keeping: a first pass reported 36 GP_DIALOG
builds at "100% black", which was a crude near-black pixel threshold and not a
black screen - those dialogs are dimmed 50% and perfectly legible. The genuinely
wiped builds are a different set.
blit modulated by tint only, which is 0xffffffff on essentially every keyframe,
so the fade word was decoded, stored and then discarded. Applying it as an ARGB
modulate takes the title composite's edge correlation against the framebuffer
capture of the running game from 0.4597 to 0.9538, both at zero shift. The white
wordmark with its blue outline, the trademark, the copyright and the orange
exploding planet all appear -- the planet because a full-screen blue effect that
rests at alpha 0 had been painting over it at full opacity.
ARGB is measured: across a fade-in the high byte walks 0x00 -> 0x80 -> 0xc0 ->
0xe0 -> 0xff while the low three stay ffffff, and the low 24 bits are 0xffffff on
5276 of the disc's 5453 resting keyframes.
A modulate can only remove pixels, so the risk is a blank screen. Measured: no-op
on 4060 of 5200 sprite elements, partial on 453, hides 687 -- transient HUD
indicators that should not be lit at rest -- and NO build is left with nothing
visible. A disc test asserts that, and that the no-op share stays high, which
also guards the resting rule against drifting onto ramp frames.
Both changes are in one commit because the second is invisible without the first.
Applying fade erased the word PAUSE, which the running-game capture plainly
shows: pgptitle.rat has three runs of two identical keyframes -- pre-roll, hold,
exit -- and the 'later run wins' tie-break grabbed the exit. A group carries the
screen's entry animation AND its exit, so a run ending on the last keyframe is
now excluded unless it is the only one. The title correlation is unchanged.
Element::rest() picked the keyframe with the largest gap to the next keyframe's
time. That reads a keyframe as a value held until the next one; it is the start
of a ramp toward it. A long gap after keyframe k means the screen spends that
time arriving at k+1, so the settled pose is at the far end of the gap.
The title wordmark zooms in over five frames and holds at (184,193) at 100% from
t=251 to t=264. The old rule picked the frame before the long gap: (179,186) at
101%, still mid-zoom.
Measured against the framebuffer capture of the running title screen, which is a
1:1 crop so frame coordinates map directly (confirmed: the copyright line lands
on row 669 in the capture and in both composites). Edge-correlated over the
wordmark box:
plateau (landed) best 0.4597 at shift (0,0)
longest dwell (old) best 0.1511 at shift (+3,+8), 0.1268 at (0,0)
The old composite scores 3x lower and only peaks after being moved, by about the
(-5,-7) that picking kf4 instead of kf5 predicts.
It also fixes six title elements the old rule rested at alpha 0x00 where the
capture plainly shows them, and pteff00.prm - the full-screen fade quad painted
last - which rested at opaque black. That was the blocker on .prm compositing.
Adds tools/re-capture/align_to_capture.py, which is how this was scored, and
turns the .prm test that deliberately asserted the old defect into a guard on
the fix.
Not settled and now the next item: compose ignores the keyframe fade alpha
entirely (blit modulates by tint only), which is why choosing the wrong keyframe
was invisible until now.
The developer-logo splash declares its sprites directly and has no .rat layout
child, so is_build rejected it and no screen command could render it — despite
it being one of only two screens whose paint order has been read off the running
game, and the one where the layer key explains the whole permutation.
Adds ui_layout::is_composable (a declaration table plus at least one element
resolving to a T8aD the bundle carries) and an opt-in --all on screen
list/info/render. Measured on the disc: 2859 RATC bundles, 965 pass is_build,
2751 pass is_composable, and 0 pass is_build without passing it — a strict
superset. It is opt-in because the 1786 extra bundles are mostly two-element
fragments (a button and its glow), and because widening the default would
renumber --build for every pak, invalidating the build indices the corpus's
notes cite by number.
The splash now renders 6/7 elements, painting its glows first in the order
measured off the game; a disc test pins that order.
`compose` skips focused-state records by default, so whatever that flag matches
vanishes from every composite. It matched a trailing `f` in the name and nothing
else, which is not the convention — it is a letter.
Measured across the disc: 2458 elements match the suffix and only 54 of them
have the base element they would be the focused version of; all 54 are
`pgmenu_btnNNf.t32`. The other 2404, spread over 864 bundles, are `_eff` glow
layers whose names end in the same letter — `pb_name_eff.t32` alone accounts for
1122 of them, and `palogo_gamearts_eff.t32` is one the draw capture shows the
game painting, before its logo, with its own layer key.
Requiring the pair recovers 587 glows in the composable builds. GP_OPTIONS is
the plainest case: without `pbmwindow_eff.t32` the panel had no window at all,
just two floating brackets (captures/ui-layout/options-with{out,}-its-glow-layer.png).
Two other candidate rules were tried and refuted first. The `opt` link is not a
focus link: 221 elements are opt-targets, only 2 of them suffix-match, and the
targets include `pjnet_bg.rat` and `pv_loading_loop1.rat`. And the suffix alone,
as shown above, is unrelated to anything.
Second screen, independent of the pause work: GP_TITLE.pak's ptbtn01..05.rat give
X=542 for all five items and Y=162/242/322/402/482, an 80px pitch where the pause
menu used 70. Measured against the main-menu screenshot the sprite tops sit at a
constant +46px for all five, which is exactly the 45px of Xenia window chrome plus
one — so the record's Y is the sprite's top edge in the guest framebuffer, to the
pixel, on a screen the format was not derived from.
GP_TITLE also splits by sub-screen the way the pause pak splits by context:
ptbtn00 (PRESS A BUTTON), ptbtn01..05 (main menu), ptbtn11..13 (EXTRAS submenu),
pgloading_* (loading screen).
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Each UI sprite <name>.t32 ships with a <name>.rat companion, and that companion
is the layout record: big-endian u32, a 1280x720 design space at 0x18, and a
placement block of scaleX/scaleY/tint/X/Y. Animated elements repeat the block
with a trailing time field (keyframes); an 'opt ' tag carries a length-prefixed
link to the focused-state record.
Verified in that order, records first: across the four pause buttons exactly one
field varies, stepping 268/338/408/478 at a constant 70px pitch with X fixed at
226; the three items visible in a screenshot of the running game measure
346.0/415.5/485.5, mapping onto those numbers under one constant offset to
within 0.5px. The tutorial build's records are outright framebuffer coordinates,
and compositing its sprites there reproduces the screenshot pixel-accurately.
Also records two mistakes the A/B caught, since a static-only reading would have
shipped both: texture width does not identify a language (Japanese fits English
widths), and the in-mission and tutorial pause menus are separate sprite sets
rather than one set re-packed into slots.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
