Syplheed-Reborn/docs/port/MISSION.md

Primary objective — answer everything the menu port needs

Status: active, set 2026-08-28. This replaces "work the RE backlog" as the agent's primary objective. It does not change what the agent does — it is still reverse engineering — it changes what earns attention: an item is worth doing when the menu port is blocked on it.

Who builds what

You do not build the port. A separate agent will build it, from what you produce. Your deliverable is decoded, verified, written-down answers plus the reference data that proves them.

	container agent (you)	port agent
decodes the disc	✅	❌ — consumes your answers
measures the running game	✅	❌ — no emulator
writes docs/re/ and docs/port/HANDOFF.md	✅	reads them
Godot project, asset pipeline, transcoding	❌	✅

If you find yourself designing an export schema or writing GDScript, you have crossed the line. Stop and go back to the question you were answering.

crates/sylpheed-viewer is also not yours to change for this objective. The Explorer is the human's tool for exploring and verifying the RE work, it keeps its static-data-only rule, and the port does not depend on it.

The target

Someone else has to build this, from your answers alone:

developer logo splash  →  intro video  →  title / PRESS Ⓐ  →  main menu  →  submenus

No gameplay, no 3D, no HUD, no missions. If an answer is not needed to put those five screens on a display and let a person move through them with a d-pad and Ⓐ, it is not in this objective.

What is already answered

Do not re-derive these. They are in docs/re/ and the disc atlas:

• The screen archive. GP_TITLE.pak holds the whole title-side tree — build 4 the title with animating wordmarks, build 5 the five-button main menu, builds 6/8/9 submenus, and the developer splash as the palogo bundle in the same pak.
• Buttons are identifiable as data. Element kind 0x3002 is a button, 0x0 decoration, 0x10 a primitive; buttons sort top-to-bottom by resting Y; each pairs with an f-suffixed highlighted variant.
• The screen vocabulary. The GamePart id table, 29 entries at .rdata 0x820A1630, confirmed by the executable's own factory-registration strings.
• The resting pose rule — the hold, not the longest dwell — and that a keyframe is the start of a ramp.
• Screen composition, pixel-accurate for the tutorial pause menu and the title main menu, via sylpheed-cli screen render.
• The logo splash is not a video. logo1–logo4 are manifest-bound with no .wmv on the disc; the splash is the RATC screen, which already renders.

The open questions — these are the objective

Ordered by what blocks the port earliest. Each is done when its gate exists: a written docs/re/ result with the evidence, and reference data committed alongside it.

	Question	Gate
Q1	What is a keyframe time? Values run 16…269. 60 Hz frames would make the title intro ~4.5 s — plausible and untested. Also: is the ramp linear, or eased?	A measured answer against the running game, not an inference. Everything animated downstream depends on this number
Q2	Which build is which screen state? Confirm build↔state for splash, title/PRESS Ⓐ, main menu and each submenu	A table, each row confirmed against a capture of the real screen
Q3	Paint order for these six screens. Solved at runtime, unsolved from the file — the declaration table is provably not it	Either a rule derived from the bundle, or six measured orders and a clear statement that no file-side rule was found
Q4	What does each button do? Labels are baked into the sprites; no decoded field says which GamePart a button opens	Button → GamePart id, from code or from driving the game. Say which
Q5	Navigation semantics. Initial focus, wrap-around at the ends, whether left/right does anything, what B does on each screen	Observed behaviour, per screen
Q6	The boot sequence, and what drives it. Order is observable; the data or code that sequences it is not decoded. Include the attract loop and what returns to the title	The sequence, plus whatever the game reads to decide it
Q7	Transitions. What happens visually between screens — the pteff00.prm quads, a fade, a cut — and its timing	Described and timed against a capture
Q8	Menu audio. Which BGM per screen; which cue on move / confirm / back / error. The cue table is complete; the event binding is not	Cue names bound to events, with how you established each
Q9	Video binding. Which movie is the boot intro vs the new-game intro; whether playback is skippable and what ends it	Named movies plus the playback rules
Q10	What are a music bank's sub-waves? BGM_001.slb is three sub-waves — 10 KB, 4.47 MB, 4.67 MB — and we currently concatenate them blindly into one 347 s track. Two near-equal halves could be intro + loop, or two variations, or two halves of one piece. A menu that loops its music needs to know which	The role of each sub-wave, established for at least the menu BGM. "Concatenate" is a decision, not a default — right now it is a default nobody chose
S1	Ready Room probe. DONE 2026-08-28 — no-go. It is 2D and enumerates fine, but the pak is briefing/tactical-map content, not the Ready Room menu	✅ go/no-go written

🟡 Needs one more run — a Japanese-locale capture

Recorded rather than worked around, per "do not improvise around a blocker".

Two questions have converged on needing one capture we cannot take: a running capture of GP_TITLE build 7, the Japanese title screen.

• Q1's keyframe-time association. The shifted reading is favoured 26× by a calibration-free measurement, and the only render it changes on the whole disc is build 7 (ui-keyframe-time-unit.md).
• What rest() should return for a plateau-less element. The one element that discriminates, ptlogo_eff3.t32, is also in build 7 (structures/ui-resting-pose.md).

🔴 The "cannot" was wrong, and is withdrawn (2026-08-29). It is true that user_language is only ever DECLARE_int32 here, with no DEFINE and no entry in xenia-canary.config.toml, so there is no flag to pass — and passing an unknown one is specifically dangerous, because run-canary's own header records that xenia calls ShowSimpleMessageBox from ParseLaunchArguments before logging starts. But the cvar is not the only route, and I stopped at the first one I checked.

The language is persisted, and canary's own file is writable. kernel_state.cc builds XConfig over <storage_root>/xconfig.settings, which exists here at /sylph-home/re/.local/share/Xenia/xconfig.settings (6 680 B). user.language is a big-endian u32 at file offset 0x912, located by three independent landmarks rather than guessed:

landmark	expected	found
music_volume (User+449)	0.7f	BE float at 2727 → User base 0x8e6
language (User+44)	1 = kEnglish, the hard-coded default	1 at 0x912
country (User+64)	United States	103 at 0x926

XLanguage::kJapanese = 2 (xbox.h:307). Writing 2 there and restoring afterwards is using canary's own persistence, not patching its code.

🟡 Still not settled — two runs, and the reason moved again.

Run 1 (2026-08-28) reported "title not seen" in 787 s. That was a broken tool, not the game. wait_title.sh still carried the single-pixel oracle that is_title.py was written to replace — a 1280×720 coordinate sampled against the 1279×675 game surface, so it always reads the copyright line. Fixed; it now delegates to is_title.py.

Run 2 (2026-08-29), with the working oracle and the profile flag the English captures use, still did not reach the interactive title. Not one frame in the run showed a single green-Ⓐ glyph pixel, and content correlation against either build-7 render never exceeded 0.22. The game sat in the attract movie throughout, polling XamInputGetKeystrokeEx (601 calls) — i.e. alive and waiting for input, not hung.

✅ The control was run (2026-08-29), and it removes the locale from the picture. Same flags, same oracle, English locale: 75 samples over 734 s, every one glyph = 0. The English boot does not present the interactive title either. Canary was alive throughout and polling XamInputGetKeystrokeEx (1 801 calls); the frame at 734 s has content but correlates only 0.15 with build 4's render and 0.05 with the main menu, i.e. it is an attract-movie frame, not title art.

So the Japanese run was not failing because of the locale — neither locale reaches the interactive title in ~12 minutes of no pad input. 🔴 Tried the proven path too, and I am stopping this line (2026-08-29). Run 3 launched exactly the way boot_menu.sh does — DISPLAY=:98, --apu=sdl, /dev/shm/xenia_* cleared, the existing profile signed in — and drove skip_intro.sh, the detector that is documented to work. It classified every one of 20 samples over 604 s as "movie" and waited them all out, then timed out. A direct check at 604 s confirms it was right: zero green-glyph pixels, screen_id = other, warm mean (69,53,40), correlation 0.09 with build 7. The game really was playing attract movies for ten minutes.

So: three runs, two locales, two launch paths, ~35 minutes of emulator time, no interactive title. Either the attract loop is far longer than the 600–780 s windows tried, or something has regressed since live-title-press-a.png was captured (that one came from a pad-driven boot — commit 88b3ce9, "booting to the main menu and walking it").

⚠️ Not worth more loop iterations. This capture does not block any of the five menu screens, and it has now cost five. It is written down so a later session with a reason to spend an hour on the boot path can pick it up; the locale mechanism, the fixed oracle and the launch recipe are all in place, so what is left is patience with the attract loop, not tooling.

The locale is restored to English; set_console_language.py ja flips it back in one command.

⚠️ Neither question blocks the five menu screens. Q1's interpolation law is settled and only multi-keyframe absolute timing is open; rest() differs from its alternative on one element across all five screens, and the current answer there is the defensible one.

Known unknowns — say so, do not fill them in

Some of these may turn out to be undecodable. That is a valid, useful answer, and it is better than a guess, because the port agent will otherwise have to author the mapping by hand and needs to know it is authoring rather than transcribing.

For each question, the answer is one of:

• decoded — here is the field, here is the disc-wide check;
• measured — not on the disc in any form we found, but here is what the running game does, and here is the capture;
• undecodable, with reach — we looked here, here and here, and this is why it is not there.

Never a fourth thing. In particular: if Q4 ends as "read the labels off the sprite images by eye", say exactly that — it is then an authored mapping on the port side, not a disc fact, and mislabelling it would put a guess into the port wearing the badge of a measurement.

The Ready Room probe (S1) — one iteration, then stop

GP_READY_ROOM.pak is the largest UI archive on the disc, 1 106 entries, and only 6 of its names resolve. It is also ISL-scripted. That is either a week or a quarter, and one cheap test tells you which.

Our screen catalog enumerates bundles by content, not by name — is_build / is_composable read the bytes — so unrecoverable paths do not necessarily mean unrenderable screens.

sylpheed-cli screen list "$SYLPHEED_DISC/dat/GP_READY_ROOM.pak"
sylpheed-cli screen render --build <n> "$SYLPHEED_DISC/dat/GP_READY_ROOM.pak" /tmp/rr.png

Report how many builds it finds, whether any composite looks like a Ready Room, and whether the room is 2D at all or 3D with a UI overlay — if it is 3D the answer is no-go by definition, not "try harder".

Then stop and write the go/no-go. Do not start Ready Room work on your own authority.

Handing it over

HANDOFF.md is the single page the port agent reads. Keep it current as you answer questions: it is a summary with links into docs/re/, not a second copy of the findings. An answer that is not reachable from HANDOFF.md has not been delivered.

Out of scope

3D, gameplay, HUD, missions, save/load, localisation beyond English, the Godot project itself, any asset pipeline, and any archive outside GP_TITLE, tables.pak, sound.pak and dat/movie/ — except for the S1 probe.